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Washington, D.C.: In the Soviet Union, textbooks were written carefully so as not to offend party leaders. Do you believe any comparison can be made to the Soviet censors, who oversaw the writing of those textbooks, and the ADL's part in persuading Mel Gibson to make his movie less "anti-Semitic" (their words)?
Michael Medved: Not a legitimate comparison. The ADL doesn't operate (at least not yet) with the power of government behind it.
Anti-Semtic charges: But you admit that Mel Gibson has not allowed Jewish leaders (Foxman, etc.)-- who have specifically requested to see it -- to be at a screening?
Nobody would confuse them for film critics, if that is what Gibson is worried about.
Michael Medved: He has excluded people who have condemned his film publicly before they even saw it. That makes sense to me. I don't see that Abe Foxman and Co. have displayed the least bit of open-mindedness or good faith.
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Washington, D.C.: The movie, JFK, was contrary to fact (to name just one example). No special accommodations were made by Oliver Stone to his detractors. Is there a historical accuracy/scholarly argument for changing "The Passion" before release, and if so, why should this movie be treated special?
Michael Medved: The argument concerning "The Passion" centers on the history of anti-Semitism. No people have ever been murdered as a group because of accusations that they killed Kennedy. Millions of Jews have, in fact, suffered death and persecution because of accusations that they were "Christ-killers." If the movie irresponsibly recycled those old, poisonous accusations I believe that people of good faith would appropriately condemn it. It's obvious, however, that Mel Gibson has tried to avoid echoing ancient charges of deicide and has gone to some lengths to stress that Jesus and his disciples, as well as his primary accusers, were Jewish.
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http://www.washingtonpost.com/wp-dyn/articles/A21289-2003Aug5.html'Passion' elicits unfair conflictBEDITORIAL by Michael Medved
Any piece of pop culture that touches on serious religious themes inspires its share of controversy, but the noisy assaults on Mel Gibson's unfinished film The Passion, which describes the final 12 hours in the life of Jesus Christ, seem unfair and painfully premature. Indignant denunciations of a movie that its critics haven't even seen, coming nearly a year before that picture's scheduled release, suggest an agenda beyond honest evaluation of the film's aesthetic or theological substance. The explosive charges of anti-Semitism being directed at this project may even threaten the emerging alliance between devout Christians and committed Jews.
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Meanwhile, the Anti-Defamation League (ADL) and other groups devoted to combating anti-Semitism issued critical statements about The Passion based on an early draft of the screenplay that the Gibson camp called a "stolen" script. Gibson insists he has altered the screenplay substantially since that early draft, but this didn't stop the ADL from issuing an angry statement on June 24, asking: "Will the final version of The Passion continue to portray Jews as blood-thirsty, sadistic and money-hungry enemies of Jesus? ... Will it portray Jews and the temple as the locus of evil? ... ADL stands ready to advise (Gibson's) Icon Productions constructively regarding The Passion to ensure that the final production is devoid of anti-Semitic slander."
Of course, the ADL might have advised the producers more "constructively" with a private phone call, memo or meeting rather than with a thermonuclear press release. As it is, assaults on his unseen film leave Gibson in a painful predicament. If he ignores the ADL and other critics, he faces accusations of "insensitivity," but if he responds to their condemnations by allowing activists to shape his picture's content, then he undermines his announced intention of sparing no expense (including $25 million from his own production firm) to create a film of fearless, uncompromising Gospel authenticity.
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http://www.usatoday.com/news/opinion/editorials/2003-07-21-medved_x.htmAnti-Semitic notion of Passion won't go away (JULY 18, 2003)
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The Jewish people did not kill Jesus, despite what Mel Gibson's new movie might suggest. Civic and religious leaders conspired to crucify him.
Still, the lie, until recently taught as truth by the church, that all Jewish people are Christ killers lingers on. Some fear Gibson might give it new life.
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http://www.palmbeachpost.com/accent/content/auto/epaper/editions/friday/accent_f37100c285f430c100da.html------------------
Okay that does it: my opinion stands --- several Jewish High Priests does not ALL THE JEWS make. It's a frickin hollywood movie about JESUS THE SAXON... Authentic? With or without this film is anti-semitism and anti-arabism being stirred with passion? Is ignorance endemic? I rest my case. (sorry if I duplicated any articles from the LBN thread on this Passion topic).