MEAN, MEAN, MEAN Article on Hunter S. Thompson

[TexasLawyer]

from the "Weekly Standard," so what do you expect? Mr. Schwartz, the author, seems to be quite the superior critic, since he can look down his nose at so much of humanity, dahhhhling.


The End of the Counter-Culture
Hunter S. Thompson, 1939 - 2005.
by Stephen Schwartz
02/22/2005 12:00:00 AM

THE SUICIDE of Hunter S. Thompson, aged 65, according to the New York Times, or 67, according to the Washington Post, at his home in Aspen, may definitively mark the conclusion of the chaotic "baby-boomer" rebellion that began in the 1950s and crested in the 1960s, and which was dignified with the title of "the counter-culture."


<snip>


Thompson had much in common with Burroughs and Ginsberg. First, their products were mainly noise. Their books were reissued but now sit inertly on bookstore shelves, incapable of inspiring younger readers, or even nostalgic baby boomers, to purchase them. Thompson claimed credit for the invention of "gonzo journalism," epitomized by his great success, Fear and Loathing in Las Vegas, published in 1972. He will inevitably be hailed by newswriters as the creator of a genre. But if his work is taught to the young, it is as an exemplar of the madness of the '60s, not as literature or journalism. Aside from his own later works, including such trivia, bearing his signature, as The Great Shark Hunt, Generation of Swine, and Songs of the Doomed, of what did "gonzo" journalism consist? Thompson left no authorial legacy.

It has long been argued that lasting literature is an impossibility without imitation and emulation, and that although young authors often produce works ridiculously imitative of their idols, real writers grow out of such mimesis to gain recognition for their own, individual abilities. But who can imagine a youthful talent beginning with an exercise in the gonzo style? Thompson produced no others like him, for the same reason Burroughs and Ginsberg generated no schools of novel-writing or verse. One may go further and say they had nothing to teach the young, except to emit a cacophony.

<snip>

His enablers included lefty journalist Warren Hinckle III, who first published Thompson's experiments in incoherent "reportage" in a forgotten magazine called Scanlan's, and pop huckster Jann S. Wenner, the grand ayatollah of Rolling Stone, a tabloid which began as a pop music paper, then tried to make itself over as a serious journal, and is now read by . . . who? For some commentators, the greatest compliment paid to Thompson was the incorporation of a dishonest, heartless figure modeled on him, and named Uncle Duke (after Raoul Duke, the narrator of Fear and Loathing in Las Vegas) into Doonesbury. But that strip is generally known for its tone of dishonesty and heartlessness, and, like the writings of Thompson, seems extremely dated, increasingly unread, and finally irrelevant in its mean-spiritedness.

<snip>

http://www.weeklystandard.com/Content/Public/Articles/000/000/005/274xgjeb.asp