By CLIFTON ROSS
Gabriel Garcia Màrquez could easily have written "A Hundred Years of Solitude" in any country of Central America. It's a region replete with characters and magical landscapes and myths with power to make the hair stand up on the back of your neck when you merely hear them. There's the one about the gringo who visited the mining region of Cabañas and soon thereafter the water turned bad and the fish in the river died and the people all began to die simply because a mysterious gringo passed through.
That's the story as Miguel Rivera tells it. His brother, Marcelo Rivera was the latest victim of the newly organized death squads, formed from what appears to be a triad of power: Pacific Rim (a Canadian multinational), the ARENA party (the political party organized by the death squad killer of Monsignor Romero, Roberto D'Aubuisson) and the "maras" or gang members.
Of course Miguel, who has a deep and even scientific knowledge of his locale, is aware that the myth is just that: a small story that reveals a larger, hidden truth, in this case that a "Gringo" multinational indeed entered the area, but the reason for the deaths was the heavy metal waste from the mining that was poured into the community's water.
In cultures and states where telling the exact truth can lead to one's death, it's always more convenient to wrap the story in myth. Those who unpackage the myths, like Marcelo Rivera, often disappear into thin air -- that is, until they're found, as he was, naked, castrated and murdered after being horribly tortured: his fingernails had all been pulled out; his face had been disfigured so much that his brother could only identify him by his nose; the beatings had broken his skull. Finally, after he had been strangled to death, his body was thrown in a sixty-foot well, covered with chicken manure, dirt, and pieces of meat.
The right wing press did, of course, repeat the official story that Marcelo had fallen in with "mara" gangsters and drank with them, but editors had the integrity to also print a counterpoint that everyone who knew Marcelo had quite clear: that the victim of the unholy triad of moneyed power in El Salvador never drank nor hung out with the maras. His hero was Monsignor Romero and Miguel says the last time he saw his brother he was wearing a t-shirt with the image of that martyr on it.
There's a significant difference between El Salvador under the FMLN where power in the media is actively being contested, and Honduras where there is a blackout of the opposition perspective. Another difference is that the ARENA party has lost control of the military and has to rely on "maras" to do its dirty work while in Honduras the government hasn't yet had to consider recruiting "civilian contractors" from the 100,000 or so "maras" operating in Central America. Thus far the military has been quite happy to do the job of eliminating or terrorizing opponents under the "golpista" Honduran government (coup government) of Micheletti. On July 5, for example, the military fired with machine guns on a crowd numbering in the thousands. This is the unofficial story, of course. The papers, including El Heraldo, claimed that the military had fired on the crowd with rubber bullets. Officially, also, only one person died. Protestors say that there were eight or nine victims who died on the way to the hospital, and whose bodies were disappeared. Given the machine gun fire, it's only surprising that more didn't die.
The Honduran government of the 1980s found it had no need to replicate the widespread massacres being carried out in El Salvador and Guatemala. It was able to selectively eliminate a couple hundred leaders of the opposition and take care of its problem with the "subversives." But in order to maintain control over the rest of the population and assure its docility and compliance, like anywhere else, it required a press willing and able to cloak a damning reality in a less threatening myth.
Once again Honduran reporters are being called in to do overtime in psyops. Granted, the press in Honduras under the "golpista" government isn't any worse than Fox News. That being said, everything having to do with the news around the recent "golpe" (coup) has a quality that ranges from surreal interpretation to black propaganda. It would seem that the journalists of the major papers of Honduras really were frustrated writers of dystopian science fiction.
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