'Wars On Gaza Have Become Part Of Israel's System Of Governance': An Interview With Yotam Feldman [View all]

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'Wars on Gaza have become part of Israel's system of governance': An interview with filmmaker Yotam Feldman

In his new documentary, ‘The Lab,’ Yotam Feldman explores how Israel’s weapons industries interact with the country’s politics, economy and military decision-making. Israeli weapons, military technology and know-how become more valuable because they have been field-tested in its wars and combat against Palestinians and neighboring countries. A conversation with Yotam Feldman about his film, arms dealers and Israel’s war economy.

By Ofri Ilani, translated from Hebrew by Ofer Neiman

Perhaps we should start with the question of Israel’s international standing. In recent years it is often termed as “growing global isolation.” This isolation may diminish at times, but there is a wall-to-wall consensus about Israel becoming less popular with every war and military operation. You say that in fact the opposite is true. In your film, one can see officers from armies the world over coming to Israel to purchase arms – from Europe, India, Latin America, and of course – the U.S. So is this talk of criticism and isolation a show in which everyone partakes? Or is this criticism another force that we need to take into account?

I think that a view of Israel as an unrestrained savage that resides in a brutal neighborhood and therefore has to exercise excessive/immense albeit necessary force, has taken hold. It follows that this view is usually condescending-forgiving. More importantly, I believe that Israel’s security marketing succeeds where Israeli Hasbara [advocacy] is less fruitful. Many people fail to make the connection between Israel’s hi-tech weapons and the unrestrained military force about which one can read in reports by human rights NGOs. People think of these as two disparate phenomena merely existing in spatial and temporal proximity. If you read the Goldstone Report about the bombing of the ceremony at the police academy in Gaza on the first day of Cast Lead, and then read a marketing brochure of Rafael about the operational experiment involving “Spike 4? (the missile used by Israel in that incident), some effort is required in order for you to realize that these are different accounts of one historical event. The same goes for the drones used for assassinations in Gaza. On the other hand, It is possible that the Europeans understand all this and simply don’t care.

In the previous decade, following operation Cast Lead, there was a feeling that this cannot go on, that in this constellation, Israel would have to go to a third, fourth, fifth and sixth Gaza war, and perhaps on other fronts as well – but also that it cannot really be involved in so many wars.

After the disengagement (from Gaza) a process noticed only by a few outside the army occurred. War has stopped being an extraordinary, unexpected and dramatic event in the life of the nation, and has become a periodic activity which is a part of that national life. Thus, at any given time, Israel is either in the midst of a Gaza war or awaiting the next one. Between the 2005 disengagement and “Cast Lead,” we had “Summer Rains”, “Hot Winter” and several other Israeli military operations in Gaza. Yoav Galant, the commander of the southern front between the disengagement and Cast Lead, who can be seen in the film, played a major role in the formulation of this doctrine. He employed the metaphor of a lawn mower to describe it: war as routine, periodic maintenance beyond the borders.

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