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Doc Sportello

Doc Sportello's Journal
Doc Sportello's Journal
January 30, 2024

N Scott Momaday, Pulitzer-winning Native American novelist, dies aged 89

N Scott Momaday, a Pulitzer prize-winning storyteller, poet, educator and folklorist whose debut novel House Made of Dawn is widely credited as the starting point for contemporary Native American literature, has died. He was 89. Momaday died on Wednesday at his home in Santa Fe, New Mexico, publisher HarperCollins announced. He had been in failing health.

He was born Navarre Scott Mammedaty, in Lawton, Oklahoma, and was a member of the Kiowa Tribe. His mother was a writer, and his father an artist who once told his son: “I have never known an Indian child who couldn’t draw,” a talent Momaday demonstrably shared. His artwork, from charcoal sketches to oil paintings, were included in his books and exhibited in museums in Arizona, New Mexico and North Dakota. Audio guides to tours of the Smithsonian Institution’s Museum of the American Indian featured Momaday’s avuncular baritone.

He saw writing as a way of bridging the present with the ancient past and summed up his quest in the poem If I Could Ascend:

Something like a leaf lies here within me; / it wavers almost not at all, / and there is no light to see it by / that it withers upon a black field. / If it could ascend the thousand years into my mouth, / I would make a word of it at last, / and I would speak it into the silence of the sun.


https://www.theguardian.com/us-news/2024/jan/29/n-scott-momaday-dead-pulitzer-native-american-writer

The Way to Rainy Mountain is one of my favorite books of all time. The PBS American Masters doc on him from 2019 is an excellent memorial to one of our greatest writers and a tremendous human being.
January 16, 2024

Werner Herzog: Radical Dreamer review - master director's passionate idealism

With pop-culture brand recognition like no other auteur, he walks the walk and talks the talk … in that inimitable voice. Werner Herzog – film-maker, visionary, adventurer and first among equals of the New German cinema – is now the subject of a highly enjoyable new documentary from Thomas von Steinaecker, who has assembled an A-list gallery of interviewees to talk about knowing or working with the great man; these include Wim Wenders, Volker Schlöndorff, Nicole Kidman, Chloé Zhao, Joshua Oppenheimer, Robert Pattinson and many more.

There’s something almost Wellesian or Hitchcockian in the way Herzog uses celebrity to keep getting pictures made, and his work rate is one of the marvellous things about him. Calling a film-maker a “dreamer” sounds hackneyed, but it does justice to his idealism. Perhaps no other description will do.



https://www.theguardian.com/film/2024/jan/16/werner-herzog-radical-dreamer-review-master-directors-passionate-idealism

Herzog breaks the mold in another way: he proves wrong the saying about never meeting your idols. I've been a big fan of him ever since I saw Stroszek back in the late 70s. I got a chance to meet him at a film festival and he was as gracious and open in person as he appears on tv and other interviews. I was just going to say how much I admired his work and then walk away, but he engaged me in conversation and asked me questions about my work. It was memorable for me. He does indeed walk the talk.
November 9, 2023

The secret to Trump's revenge plot: He's making his plans for vengeance public

As an institution, the mainstream American news media is not built for this moment. They have had more than seven years to adapt. They have mostly chosen not to. In that way, the American news media in the Age of Trump is like a sports team that is continuing to run the same plays even though the game has radically changed and, in many ways, has passed them by. As a result, they (and the American people) keep losing.

From the bothsidesism to access journalism to confusing neutrality with objectivity and an emphasis on the horserace instead of the consequences, the media's obsession with gossip and personalities has provided an undue platform for Trump and other malign right-wing actors to rehabilitate their reputations and circulate their propaganda and lies. Careerism, a lack of intellectual curiosity, and emphasizing profits over bold truth-telling allow the cycle to continue as our democracy languishes.


https://www.salon.com/2023/11/09/the-secret-to-revenge-plot-hes-making-his-plans-for-vengeance-public/
September 28, 2023

I won't be watching tonight's GOP debate

I also won't be talking to Vice-President Harris or telling everyone how important I am.

September 26, 2023

Robert Reich: When the Klan murdered my protector

snip

Once, when the teacher had gone inside, I was dragged off to a mock court behind a large tree where the child bullies charged me with being too short to be in school and threatened to punish me by whacking me over the head with a baseball bat. A kind third-grade boy came over to defend me, saying, “This is unfair!” and commanding them to release me in so loud a voice that they did.

For the next few years, I became adept at finding older boys who’d protect me from bullies. When visiting my maternal grandmother at her cabin in the Adirondack Mountains, I met Mickey. He was a kind and gentle teenager with a ready smile who made sure I stayed safe from the local bullies.

I don’t recall asking Mickey to protect me. He wasn’t the kind of hulking kid I usually chose as protector. He was on the short side and thin. And I don’t remember Mickey putting up any kind of fight to defend me or even quieting the kids who made fun of me. But I do remember Mickey’s warmth and reassuring presence. His calm good nature seemed to automatically cast a positive spell over kids who’d otherwise turn to bullying.

It wasn’t until September of 1964, my freshman year in college, that I heard what had happened to him.

https://robertreich.substack.com/p/when-americas-real-bullies-murdered

September 12, 2023

Who's most responsible for the monopolization of America?

From Robert Reich (with a chart showing that 97% of corporate assets are controlled by the top 1% of corporations):

snip

The social costs of corporate concentration are growing.

— The typical American household is paying more than $5,000 a year because corporations can raise their prices without fear that competitors will draw away consumers.

— Such corporate market power has also been a major force driving inflation.

— Huge corporations also suppress wages, because workers have fewer employers from whom to get better jobs.

— And corporate giants are also fueling massive flows of big money into politics (one of the major advantages of large size).

https://robertreich.substack.com/p/the-awful-legacy-of-robert-bork-corporations?utm_campaign=email-post&r=19zzl3&utm_source=substack&utm_medium=email

September 6, 2023

The antidote to "Democratic panic syndrome": Putting Joe Biden's poll numbers in perspective

Includes many examples from past "dire warning" polls and hot takes that proved in the end to be totally wrong.

snip

I'm reminded of Washington Post columnist E.J. Dionne, who wrote in September of 1995, "There is little unity among Democrats or on the center-left on the desirability of reelecting President Clinton." He was right. At the time there were pitched battles going on among the centrists and the progressives which made the prospect of solidarity in the party a distant dream. The huge Republican win in the midterm election of 1994 as well as the non-stop scandal-mongering and investigations by the congressional Republicans had Democrats everywhere wondering how Clinton could possibly win re-election. The only thing that seemed to unite the party at the time was a mutual loathing of Newt Gingrich. 14 months later, Clinton won a decisive victory.

Similarly, at the same point in the 2012 election, there were rumblings from certain quarters that it might be wise to run a primary challenge against President Barack Obama after his approval numbers fell to the 30s in some polls. It had been a very rough three years trying to recover from the financial crisis, not to mention the rise of the Tea Party and a political massacre in the 2010 midterms. The New York Times reported in September of 2011, "Democrats Fret Aloud Over Obama's Chances": In a campaign cycle in which Democrats had entertained hopes of reversing losses from last year's midterm elections, some in the party fear that Mr. Obama's troubles could reverberate down the ballot into Congressional, state and local races. "In my district, the enthusiasm for him has mostly evaporated," said Representative Peter A. DeFazio, Democrat of Oregon. "There is tremendous discontent with his direction."

The media was full of stories of unhappy centrists, moderates and progressives alike, all of whom were sure that Obama was in trouble. 14 months later, Obama beat Mitt Romney in a romp.

Just two years ago there were endless stories about Democratic hand-wringing in advance of the 2022 midterms, mostly due to the off-year win by Glenn Youngkin in the Virginia gubernatorial race that supposedly portended a red wave like no other. In December of 2021, Thomas Edsall of the New York Times wrote a story headlined, "Democrats Shouldn't Panic. They Should Go Into Shock."

https://www.salon.com/2023/09/06/the-antidote-to-democratic-panic-syndrome-putting-joe-bidens-poll-numbers-in-perspective/

August 2, 2023

Reservation Dogs series finale season begins tonight

One of the best shows ever on television in my mind. Funny, poignant and an insight into Natve American culture never before seen on tv. A critic's take on the show, which runs on subscription service Hulu but does come on later on FX:

snip

I’ve described it as one of a kind, and as a show that’s pushing the entire medium of TV forward on several fronts. There’s its groundbreaking representation in front of and behind the camera, as the rare show led by an all-Native main cast, writers and directors. And shot on location on Muscogee Nation land in Oklahoma, it’s infused with a sense of place, authenticity and specificity.

Visually and stylistically too, each episode feels like a uniquely transformative experience, wryly funny one minute and beautifully poignant the next. The show seamlessly moves between tones and genres, defying classification and expectations. Giving a pithy little description of it — the adventures and misadventures of four teens growing up on a Native reservation in Oklahoma — doesn’t quite do the show justice or fully capture the care and detail that has so clearly gone into every single episode. (TV and film writers and actors, including those who worked on “Reservation Dogs,” are currently on strike over more equitable pay and working conditions in the streaming era.)

In its third season, which begins Wednesday on Hulu, “Reservation Dogs” continues to soar and bring out the very best of what has made it great. Creator Sterlin Harjo recently announced his decision to end the show this season. While it’s crushing to say goodbye, the sadness is lessened by the fact that it’s nice when a show gets to end on its own terms, rather than getting unceremoniously canceled. The chance to go out on a high note is even rarer for shows created by people of color and other people from historically underrepresented communities.

https://www.huffpost.com/entry/reservation-dogs-fx-final-season-review_n_64c81e30e4b024f8ebca9173

July 18, 2023

Robert Reich: The larger meaning of the Hollywood strike

snip

In fact, what’s happening now in Hollywood is a microcosm of what’s happening across America in the emerging digital economy — which is rapidly replacing the production of things with the production of digitized ideas.

The workers in this emerging economy are some of the worst paid and worst treated anywhere, while the top owners and managers are among the fattest cats outside Wall Street.

snip

Consider: Stock gains this year have been concentrated among five giant digital firms: Apple, Microsoft, Alphabet, Amazon, and Meta. Their combined market capitalization is now over $8 trillion, a figure that exceeds the GDP of every country but the United States and China. They are cash rich. All but Amazon have a combined $200 billion net cash-to-debt balance.

snip

The biggest variable in all this is the law — in particular, what limits it places on digital monopolies, and whether it facilitates or limits the power of creators.

In both these respects, the Biden administration has been terrific. It has been more aggressive against monopolists and in favor of unions than any administration since that of Franklin D. Roosevelt. But much of the law is still in the 20th century, and the federal courts have tended to be on the side of the corporate giants.

https://open.substack.com/pub/robertreich/p/what-does-the-ftcs-failure-to-stop?utm_campaign=post&utm_medium=web

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