Subtext Conflict: Celebrity Vs. Otherness
Something hasn’t felt quite right about the strategy John McCain’s campaign has been using to go after Barack Obama. It’s not a partisan objection to McCain going negative; that’s a rational choice he has to make if he wants a shot at winning. It’s that within the scattershot approach to finding an attack line that sticks, the two main through-lines are in subtextual conflict with one another.
How can someone being portrayed as "the biggest celebrity in the world" also be painted as radical and out of the mainstream? Either Obama is like Britney Spears and Paris Hilton: a fluffy, substanceless, mass-consumed but empty celebrity-for-celebrity’s sake, or he is an unfamiliar and dangerous other with a hidden anti-American agenda.It’s hard to reconcile the two. By trumpeting Obama's popularity, McCain is calling him – by definition – a safe, easily digestible consumer product, broadly acceptable in the mainstream. Thus, McCain boxes himself into a corner when he wants to make the argument not to elect Obama because he’s so far outside the mainstream.
The problem with trying to thread the needle and have it both ways by making both messages stick simultaneously is that if Obama is a dangerous other with a secret America-hating agenda, it’s hard to call him vapid. You can’t be sharp enough to be cunning sleeper and also be an empty airhead.
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http://www.fivethirtyeight.com/2008/08/subtext-conflict-celebrity-vs-otherness.html