Michael Moore's Oscar-winning "Bowling for Columbine" was the highest-grossing documentary ever made, until his latest "Fahrenheit 9/11" beat that record in just its first few days. And now the film that Walt Disney didn't want to distribute could set another record: the first movie to change history.
With all the media discussion that Fahrenheit 9/11 has generated, and the millions who will actually see it, the November presidential election will not have to be that close for Mr. Moore's two-hour "op-ed," as he calls it, to make the difference. It is a powerful, moving, and brilliantly assembled op-ed, one that lays bare the rottenness, the cynicism, and the sinister deceitfulness of the Bush Administration's manipulation of post-9/11 America.
In some ways it should not be surprising that an award-winning film could play such a big role in an election year. For some time now we have become increasingly reliant on the arts and entertainment world to give us the unvarnished truth about politics: cartoon strips like Doonesbury and more recently The Boondocks, or comedians such as Al Franken and Comedy Central's Jon Stewart (The Daily Show). With Democratic presidential nominee John Kerry pursuing the safe strategy of letting the Bush team self-destruct, people outside of traditional political circles will be even more important sources of hard-hitting criticism.
Some of the film's techniques are Moore's trademark moves, as when he stalks U.S. Congressmen to try to recruit their sons and daughters for the war effort. Or circles the Capitol with an ice cream truck blasting the Patriot Act to our lawmakers, who had never bothered to read it.
http://www.commondreams.org/views04/0630-09.htm