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The "Uncut" version is not the Original Everyone Loved, October 3, 2004
Reviewer: Robert E Whelan "REW" (NY, NY United States)
I did a side by side comparison of both books, and it seems that King did a lot of revising and rewriting. Strangely, he makes subtle changes in almost every chapter that make the villains more repulsive and stupid, and the good guys more wise-ass. A lot of scenes, where originally the reader felt for the characters, even if they were "bad", are changed so that the reader is encouraged to sneer at them. One of the most significant examples of this is the story of Nick and the "Good Ole Boys". In the original, the story ends with Nick letting the last of his former tormentors out of jail, a note of forgiveness and shared humanity in the face of the descending plague. The "Uncut" adds a horrid horror-movie coda of another guy coming to gouge Nick's eyes out, and Nick ends up kicking his dead body after their struggle, which gives a much nastier feel to it. All the "Good Ole Boys" have had their dialogue changed to make them sound stupider, or their descriptions are changed to make them seem comical, so that you are laughing at them instead of feeling for them as human beings. Another chapter, involving Lloyd in jail, where in the original one felt for Lloyd, makes his horrible ordeal seem like a big joke on him, and one moment of Lloyd's misery and sadness is sabotaged by King adding a line about Lloyd masturbating, with the snarky line "it was as good a way to get to sleep as any."
King in this "Uncut" version, has, I'm convinced, actively added, not restored, material in which stupid people die, a formerly tragic General wanders around playing with corpses, black and white soldiers humorously gun eachother down on TV, a scene where Flagg tortures a gay man, and a scene where a girl, who in the original buried her father with affection and love, becomes a whiny brat who needs to be shocked into realizing her father is dead by the belching/farting of his corpse. King apparently transplanted the Belching Corpse scene from his novel Pet Sematary, which had a "belching corpse" scene deleted prior to publication, so the ruining of this scene in the Uncut seems to have been motivated purely by the desire to have that deleted scene seen somewhere, even as it ruins a poetic portrait of Frannie's state of mind.
Everywhere in the "Uncut" goofiness proliferates, puncturing the original's focus on the deadliness of the plague, and ignoring the original's poetry and sense of beauty. King overfocuses on sneezing and snot, probably because, when revising, he thought it was funny to do so.
I give the original version of THE STAND maybe 3 1/2 to 4 stars, but this version is so horrible, with King's weird attitude towards the characters and the story itself, that I ought to give it zero stars. If you are thinking of buying this "Uncut" version, please don't. Please try to find a used copy of the original. It's shorter (only 800 as opposed to 1200 pages) and it's a much better read. You'll feel filthy after reading the "Uncut", and most people who recommend this book are recommending the original version. If you want to read this after reading the Original version, there are only a few scenes that seem to match the Original's tone.. One phone conversation between Fran and Jess and a spookey and magical scene with Flagg in a car lot, picking up his car (though it follows the horribly rewritten and goofy scene where Flagg humorously tortures a gay man.)
King says he had trouble with the original's ending, and it is a bit disappointing. Unfortunately, it looks like he took the opportunity to revise this and decided to pretend that he never meant any of it seriously, and graffitied all over what was good about it. You must realize that the man who revised to create this "Complete and Uncut" version was older, more bitter, more angry, and suffering from the afteraffects of years of drug and alcohol abuse. He wasn't in any condition to appreciate the writing of a younger, more ambitious, more poetic man.
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