CIA’s Work With Filmmakers Puts All Media Workers at Risk
April 8, 2016
Adam Johnson
Vices Jason Leopold (4/6/16) has uncovered documents showing the CIA had a role in producing up to 22 entertainment projects, including History Channel documentary Air America: The CIAs Secret Airline, Bravos Top Chef: Covert Cuisine, the USA Network series Covert Affairs and the BBC documentary The Secret War on Terroralong with two fictional feature films about the CIA that both came out in 2012.
The CIAs involvement in the production of Zero Dark Thirty (effectively exchanging insider access for a two-hour-long torture commercial) has already been well-established, but the agencys role in the production of Argowhich won the Best Picture Oscar for 2012was heretofore unknown. The extent of the CIAs involvement in the projects is still largely classified, as Leopold notes, quoting an Agency audit report:
However, because of the lack of adequate records, we were unable to determine the extent of the CIAs support to the eight projects, the extent to which foreign nationals participated in CIA-sponsored activities, and whether the Director/OPA approved the activities and participation of foreign nationals
. Failure on the part of CIA officers to adhere to the regulatory requirements could result in unauthorized disclosures, inappropriate actions and negative consequences for the CIA.
The CIAs history of producing or helping to produce films goes back decades. The Agency, for example, secretly bought the rights to Animal Farm after Orwells death in 1950 and produce an animated adaptation centered on demonizing the Soviet Union rather than capturing Orwells broader critiques of power.
And as the CIA got involved in film production, Hollywood players have likewise taken part in covert operations. For years, legendary film producer Arnon Milchan (Pretty Woman, Fight Club, back-to-back Oscar winner for Best Picture in 2014 and 2015) worked for Israeli intelligence to deal arms and obtain technologies Israel needed to make nuclear weapons. At the peak of his activities, according to the Guardian, he was operating 30 companies in 17 countries and brokering deals worth hundreds of millions of dollars, an arrangement that, Milchan told the BBC (11/26/13), involved Sydney Pollackdirector of Sabrina, Tootsie and, ironically enough, Three Days of the Condor.
In such revelations, an important point is often overlooked: The CIA assisting or posing as filmmakers, journalists and other creative rolesa practice the Agency reserves the right to partake in to this dayputs actual filmmakers, journalists and other creators at risk overseas. Its an important piece of context thats rarely addressed by a pundit class who is (rightfully) outraged at American journalists and filmmakers being detained as spies overseas, but responds with praise or amusement when CIA takes on such roles as cover.
The amnesia at work is impressive. Jon Stewarts film Rosewater, about Iran detaining Iranian-Canadian journalist and filmmaker Maziar Bahari in 2009 on charges of spying, came out a mere 18 months after Argo won Best Picture for depicting the CIA using phony filmmakers to do just that. We praise the latter without acknowledging the glaring fact that it helps set the stage for the former.
Gael Garcia Bernal as Maziar Bahari in Rosewater
In Rosewater, Gael Garcia Bernal plays Maziar Bahari, a Western journalist held by Iran as a spy after he reports on violence against protesters.
This isnt to suggest Iran doesnt detain legitimate journalists and filmmakers for simply publishing uncomfortable truthsas it did in the case of Bahari and Washington Posts Jason Rezaian in 2014but American medias cozy relationship with the CIA and other intelligence agencies makes the possibility of overcompensation by Iran and other unfriendly governments that much more likely, and makes the pretense that legitimate journalists are suspected of espionage that much more plausible.
Indeed, this is a position advanced by Associated Press reporter Terry Anderson, who spent six years detained by Hezbollah and now lobbies aggressively against these suspect practices. As Martha Bayles and Jeffrey Gedmin wrote in a Boston Globe op-ed last year (1/4/15):
First, such practices make honest journalism more dangerous. Ask Terry Anderson, the Associated Press reporter who in 1985 was taken captive by Hezbollah, which accused him of being a CIA agent. After being released in 1991, Anderson became an eloquent voice arguing against blurring the distinction between newsgathering and espionage.
This is not to suggest that if the CIAs policy were less murky and problematic, the Taliban would not have murdered Wall Street Journal reporter Daniel Pearl, or the Azerbaijan ruling party would not be trying to discredit Khadija Ismayilova. But when it comes to managing risk, a definite ban on the recruitment of journalists would constitute a positive step. Not only that, but the lack of such a ban erodes the trust of Americas allies and provides fuel to its adversaries.
The same is true for filmmakers. While it appears the CIAs involvement in the entertainment products revealed by Vice was to provide access in exchange for steering the message (as opposed to using the filmmakers for intelligence-gathering), the spectacle of Hollywood teaming up with US intelligence agencies to make propagandaespecially given the dodgy historical contextno doubt stokes the fears of countries already hostile to Americans within their borders.
This isnt to say that if the CIA bans the practice of recruiting journalists and assisting the production of films, other countries still wont be paranoid (justifiably or not), or that such a restriction would even be respected. But when the CIA blurs the lines between covert intelligence gathering and legitimate media, the reaction of media people shouldnt be amusement, much less awards.
Every time this type of behavior is normalized, or shrugged off, or made sexy, real journalists and real filmmakers overseas are put further at risk.
http://fair.org/home/cias-work-with-filmmakers-puts-all-media-workers-at-risk/
Judi Lynn
(160,530 posts)MinM
(2,650 posts)Interesting tidbit from the comment section...
http://fair.org/home/cias-work-with-filmmakers-puts-all-media-workers-at-risk/#comment-3081555
Blue_Tires
(55,445 posts)http://niemanreports.org/articles/spies-and-journalists-taking-a-look-at-their-intersections/
http://www.nbcnewyork.com/news/local/Alleged-Russian-Spy-Released-on-Bail-97681694.html
http://www.nytimes.com/2015/01/30/magazine/spy-vs-nonspy-in-putins-russia.html
https://www.washingtonpost.com/world/national-security/us-officials-identify-tass-as-russian-news-organization-tied-to-spy-ring-in-new-york/2015/01/27/f6cb3bd2-a657-11e4-a7c2-03d37af98440_story.html
http://www.rferl.org/content/russian-reporter-forced-out-of-poland-on-spying-charges/27423587.html
http://www.scotsman.com/news/uk/journalist-betrayed-britain-to-become-russian-spy-1-3864707
Anybody want to argue that Russia and China have made legit journalism "more dangerous"?
And FWIW, CIA involvement with popular media goes back much farther than this -- No big secret here...
Jefferson23
(30,099 posts)we need more awareness but as issues grow, it sinks on the list.
Thanks for the links, very good..I appreciate it.
I would hope we don't have to compare ourselves to China and Russia to look good.