I feel love In the angry 1980s gay drama was stuck on the fringes. Now it's marching into the mainstream, says Matthew Todd
Thursday June 29, 2006
The GuardianPlague and prejudice ... Anthony Calf and Joe Duttine in the Royal Court's 1994 hit about Aids, My Night With Reg. Photograph: Tristram Kenton
A few weeks ago I got an email from a gay man in his early 20s turning down an invitation to see my play, Blowing Whistles. "Thanks, but no thanks," he said. "I'm not into gay plays. I'm too assimilated."
I find it strange that someone who describes himself as assimilated would choose the term "gay play" and not just "play", but I do know what he means. Many of the fringe plays that have grabbed the attention of gay magazines and websites over the past decade have been little more than flesh fests, with little originality or artistic credibility. At the same time, gay characters and storylines have been coopted by mainstream entertainment - from Coronation Street's gay barman to the BBC's adaptation of Alan Hollinghurst's The Line of Beauty, even if the latter was promoted as period drama rather than gay TV.
My friend's dislike of "gay theatre" is of course not just about the theatre, but about gay culture's massive leap away from the ghetto. There has always been conflict between those gay people who have wanted to be absorbed into mainstream culture, and those who have wanted to celebrate and emphasise the very things that make us different. It seems that slowly but surely the assimilationists are winning the battle: now even the Sun wishes David and Elton its best on their wedding day.
http://arts.guardian.co.uk/features/story/0,,1808584,00.htmlInteresting read, perhaps also a sign of hope to our friends over the ocean that things really can get better.