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For the most part, people want to belong.
The concentrated corporate ownership and the business plan based on advertising are ultimate conditioners, having their greatest (and surest) impact over time. GE need only rarely intervene in the management of NBC; hiring decisions and structures set up long ago more or less guarantee the result.
It's easy for everyone within the organization to soak up the resulting culture of their workplace, and to understand the conditions of career advancement.
Most people want to belong, and to better their station. Journalists and their managers (the real operative culprits here: it's editors, publishers and producers who decide what the news is) are no different.
"Scripts" or easy-to-understand prefabricated formulas for stories are culturally programmed, or at least readily available in a shared cultural language. These are commonly held ideas that jump to mind directly, and they further ease the path of least resistance in what the media find of interest and how they cover it. If there's a terrorist attack, for example, or pretty much any disaster, or if a statesman or pope dies, most of the story is already written by the shared cliches. Just add the most dramatic and moving footage you can get, you're done.
Something like Schiavo or OJ Simpson offers an easy, instant script, and it's very low risk for the media to focus on it. Other stories, like Gannon, provide a fantastic script that would get high ratings, but it's easy enough to understand the risk inherent in pursuing it.
The "conspiracy theory" cliche is very important in drawing the border for acceptable reporting. Journalists fear the label as a kind of terminal cancer. In the common vernacular, this term is applied to pretty much any narrative that sees interests operating behind one's own country's social institutions, or nearly to any criticism of one's own country at all. (For example, a corruption story that would be "conspiracy theory" if it was about the US government might be more than acceptable, if it's about a foreign one.)
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