" 'Now,' said the prison charlie, 'listen to the Word of the Lord.' Then he picked up the big book and flipped over the pages. . . . It had been arranged as part of my like further education to read in the book and even have music on the chapel stereo while I was reading, O my brothers. . . . One day the charles said to me, squeezing me like tight with his bolshy beefy rooker: 'Ah, 6655321, think on the divine suffering. Meditate on that, my boy.' . . . So I read all about the scourging and the crowning with thorns and then the cross veshch and all that cal, and I viddied better that there was something in it. While the stereo played bits of lovely Bach I closed my glazzies and viddied myself helping in and even taking charge of the tolchocking and the nailing in, being dressed in a like toga that was the heighth of Roman fashion."--from "A Clockwork Orange" by Anthony Burgess, 1962
http://www.geocities.com/malcolmtribute/aco/aconovel2.html"This is a Mel Gibson film, so you come out wanting to kick somebody's teeth in. In 'Braveheart' and 'The Patriot,' his other emotionally manipulative historical epics, you came out wanting to swing an ax into the skull of the nearest Englishman. Here, you want to kick in some Jewish and Roman teeth. And since the Romans have melted into history . . ."--Maureen Dowd, New York Times, Feb. 26
http://www.nytimes.com/2004/02/26/opinion/26DOWD.html?ex=1393131600&en=2b45f99c4ce38841&ei=5007&partner=USERLAND