This is an article about a forthcoming series in British TV, but reads very interesting:
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During the three years in which the "war on terror" has been waged, high-profile challenges to its assumptions have been rare. The sheer number of incidents and warnings connected or attributed to the war has left little room, it seems, for heretical thoughts. In this context, the central theme of The Power of Nightmares is riskily counter-intuitive and provocative. Much of the currently perceived threat from international terrorism, the series argues, "is a fantasy that has been exaggerated and distorted by politicians. It is a dark illusion that has spread unquestioned through governments around the world, the security services, and the international media." The series' explanation for this is even bolder: "In an age when all the grand ideas have lost credibility, fear of a phantom enemy is all the politicians have left to maintain their power."
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They are not the only ones who find opportunities. "Almost no one questions this myth about al-Qaida because so many people have got an interest in keeping it alive," says Curtis. He cites the suspiciously circular relationship between the security services and much of the media since September 2001: the way in which official briefings about terrorism, often unverified or unverifiable by journalists, have become dramatic press stories which - in a jittery media-driven democracy - have prompted further briefings and further stories. Few of these ominous announcements are retracted if they turn out to be baseless: "There is no fact-checking about al-Qaida."
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In one sense, of course, Curtis himself is part of the al-Qaida industry. The Power of Nightmares began as an investigation of something else, the rise of modern American conservatism. Curtis was interested in Leo Strauss, a political philosopher at the university of Chicago in the 50s who rejected the liberalism of postwar America as amoral and who thought that the country could be rescued by a revived belief in America's unique role to battle evil in the world. Strauss's certainty and his emphasis on the use of grand myths as a higher form of political propaganda created a group of influential disciples such as Paul Wolfowitz, now the US deputy defence secretary. They came to prominence by talking up the Russian threat during the cold war and have applied a similar strategy in the war on terror.
As Curtis traced the rise of the "Straussians", he came to a conclusion that would form the basis for The Power of Nightmares. Straussian conservatism had a previously unsuspected amount in common with Islamism: from origins in the 50s, to a formative belief that liberalism was the enemy, to an actual period of Islamist-Straussian collaboration against the Soviet Union during the war in Afghanistan in the 80s (both movements have proved adept at finding new foes to keep them going). Although the Islamists and the Straussians have fallen out since then, as the attacks on America in 2001 graphically demonstrated, they are in another way, Curtis concludes, collaborating still: in sustaining the "fantasy" of the war on terror.
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http://www.guardian.co.uk/terrorism/story/0,12780,1327904,00.html