http://www.zmag.org/zspace/commentaries/3945By Pilger, John
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These are extraordinary times. Flag-wrapped coffins of 18-year-old soldiers killed in a failed, illegal and vengeful invasion are paraded along a Wiltshire high street. Victory in Afghanistan is at hand, says the satirical Gordon Brown. On the BBC's Newsnight, the heroic Afghan MP Malalai Joya, tries, in her limited English, to tell the British public that her people are being blown to bits in their name: 140 villagers, mostly children, in her own Farah Province. No parade for them. No names and faces for them. The suppression of the suffering of Britain's and America's colonial victims is an article of media faith, a tradition so ingrained that it requires no instructions.
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In their modern classic Manufacturing Consent: the Political Economy of the Mass Media, Edward S Herman and Noam Chomsky describe how war propaganda in free societies is "filtered" by media organisations, not as conscious "crude intervention, but by the selection of right-thinking personnel and by the editors' and working journalists' internalisation of
priorities and definitions of newsworthiness". In the wake of the US invasion of Vietnam, in which at least three million people were killed and their once-bountiful land ruined and poisoned, planners of future bloodfests invented the "Vietnam syndrome", which they identified perversely as a "crisis of democracy". The "crisis" was that the "general population threatened to participate in the political system, challenging established privilege and power". Afghanistan and Iraq now have their syndromes.
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As Herman and Chomsky decode principally the American media, an ideal companion is Newspeak in the 21st Century, by David Edwards and David Cromwell (published next month by Pluto). The founders and editors of the outstanding website www.medialens.org present a fluent dissection of Britain's liberal media, employing the kind of rigour that shames those who proclaim their impartiality and independence from vested power. Read also A Century of Spin by David Miller and William Dinan, who describe the rise of an "invisible government" invented by Sigmund Freud's nephew Edward Bernays. "Propaganda," said Bernays, "got to be a bad word because of the Germans, so what I did was to try and find some other words." The other words were "public relations", which now consumes much of journalism.
The latest achievement of PR is the "Obama phenomenon". In Barack Obama and the Future of American Politics (published in the US by Paradigm), Paul Street peels away the mask in perhaps the only book that tells the truth about the 44th president of the United States.
Not enough laughs? Pack Joseph Heller's Catch-22, still unmatched in its demolition of the idiocies and lies of the killers who promote wars...
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Faber recently published Harold Pinter's Various Voices: 60 Years of Prose, Poetry, Politics (1948-2008). It is a gem from Pinter on everything from Shakespeare, night cricket and Arthur Miller's socks to murderous great power:
It never happened. Nothing ever happened. Even while it was happening it wasn't happening. It didn't matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless . . . while masquerading as a force for universal good. It's a brilliant, even witty, highly successful act of hypnosis.
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