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Reply #30: Mark Lombardi mapped "The Octopus" [View All]

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Aries Donating Member (544 posts) Send PM | Profile | Ignore Mon Sep-20-04 01:52 PM
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30. Mark Lombardi mapped "The Octopus"
Edited on Mon Sep-20-04 01:54 PM by Aries
in his art. He also died too soon.

http://www.steamshovelpress.com/altmedia18.html

Mark Lombardi: Global (Conspiracy) Networks

Mapping criminal corporate-government connections is a dangerous occupation. Exposing the players and their front companies is even more hazardous. These are the subjects of Mark Lombardi's art -- the hidden global realities of money and power. His artwork, literally as well as figuratively, connects the dots of international high-level white-collar crime networks.

Lombardi's drawings are mandalas of conspiracy, flow charts of shady deals and shaky agents, and org charts of world-class con men, revealing the genealogy of wickedness in the highest places of corporate and government power.

"Mark Lombardi: Global Networks" is a traveling exhibition of 25 drawings, some as large as 4' x 12, organized by New York-based Independent Curators International (ICI) and curated by Robert Hobbs of Virginia Commonwealth University. In graphic terms, the drawings document the major financial and political frauds of the late 20th century. They are flow charts of illicit money and power, solid and dotted lines and curves as well as broken arrows denoting the flows of illicit financial operations and covert revenues.

DECONSTRUCTING CRIMINAL CONNECTIONS

One of the drawings called "George W. Bush, Harken Energy and Jackson Stephens, ca 1979-90" (1999) shows the connections of James Bath, a former CIA spook and business broker, front man for Saudi money who connected the Bush Family and Bin Laden Family (of the Osama bin Laden/ 9-11 legend) in shady deals in Texas and around the world.

Other drawings document the Savings and Loan (S&L) Frauds, IraqGate Fraud (illicit sales of nuclear and biological weapons to Iraqi kingpin Saddam Hussein with a $5 billion US Government-guaranteed phony agricultural loan through the Banca Nazionale de Lavoro), Iran Contra Fraud, and the Clinton/ Jackson Stephens Frauds.

Lombardi was an artist and an archivist, not an investigative reporter; he simply used available material from books and newspaper articles (from the public record) for the information content of his work.

Viewing his art (mostly un-inked pencil drawings) requires the ability to 1/ see the graphics, 2/ read the names of people and corporate fronts, and then 3/ integrate this content of networks into an epiphany about How the Real World Works.


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