Science
Related: About this forumJazz on the Brain
Published on 7 Jun 2012 by AMNHorg
"Jazz is absolutely defined by improvisation," says Charles Limb, who is both a jazz saxophonist and a researcher at Johns Hopkins University and the National Institute on Deafness and Other Communication Disorders. "Once you get past the mechanics of the instrument, you're not as concerned with the execution as the conception." This moment of conception is what Limb and colleague Allen Braun captured in the brain in a recent experiment.
Limb and Braun used fMRI (functional magnetic resonance imaging) to map the brains of skilled jazz musicians as they improvised a tune. A special keyboard was designed for the experiment with no iron-containing metal parts, which would interfere with the powerful magnets in the fMRI machine. Each musician under study had to lie on his back with his head inside the scanner, playing the keyboard on his lap with one hand.
The study revealed the pattern of brain activity that occurs when composing music spontaneously. Interestingly, it is similar to that which occurs while dreaming. The results offer insight into how the brain enables jazz musicians to enter a sometimes trancelike creative state while performing.
Gregorian
(23,867 posts)He said the same exact things. But it's not just jazz. I also love punk for the same reason. And even some classical had ad lib sections.
But even so, I still can't get my head around this guy-
pokerfan
(27,677 posts)1966 in Germany
immoderate
(20,885 posts)Strange.
--imm
pokerfan
(27,677 posts)immoderate
(20,885 posts)This video is from about the first time I saw them live. Joe had dropped the reliance on Dave keeping the piano figure rolling through the background, like on the original recording. He was still doing the hand drumming though. Later he played it all with sticks.
Joe Morello is one of my favorite drummers in history!
Take Five was a major hit. (Ed Sullivan!) Evens so, it's not been covered anywhere near as many times as 'Round Midnight. Petruccianni's rendition is a really good one. I guess it helps to be in a standard time signature.
Here's another version -- kind offbeat. Features a finger pickin Joe Pass and full on Harold Land!
--imm
Gregorian
(23,867 posts)But if I hear that tune one more time, I'm poking someone's eyes out.
I should add that over the years I've worked hard to seek music that I've never heard before. You could say it's almost a neurosis. Now that we have Youtube, there are great groups that never made it, that are so worth listening to.
One example is something like this. He was a commercial success, but this recording is unique. I'm more into punk than anything else. But good anything is good-
BlueJazz
(25,348 posts)...a tone (on) Alto very similar to his.
laconicsax
(14,860 posts)It certainly explains why it just feels so damn good to sit and blow over some changes.
Javaman
(62,517 posts)after learning the basics it's nothing but improve after that. And since it's danced to jazz, I get a two-fer.