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some years, when we say an entity (person, persons of note, or not) embodies Umoja, or unity, the first principle of Kwanzaa, it is because their actions bring together the larger black community (see Tarana Burke in 2017). Other times, its more about a personal manifestation of unity (see the workers of KFC in 2018). This year, its a bit of both.
This year, Nikole Hannah-Jones is the embodiment of unity, especially for her behemoth enterprise, The 1619 Project, which ran in the New York Times this August. The 1619 Project commemorated the 400th anniversary of the beginning of American chattel slavery, where, to paraphrase Malcolm X, Plymouth Rock (in this case Point Comfort, Va.) landed on us