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Fri Jul 12, 2019, 05:20 AM

40 Years Ago Today; Disco Demolition Night at Comiskey Park goes south on promoters



https://en.wikipedia.org/wiki/Disco_Demolition_Night

Disco Demolition Night was an ill-fated baseball promotion on July 12, 1979, at Comiskey Park in Chicago, Illinois. At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers. Many of those in attendance had come to see the explosion rather than the games and rushed onto the field after the detonation. The playing field was so damaged by the explosion and by the fans that the White Sox were required to forfeit the second game to the Tigers.

In the late 1970s, dance-oriented disco music was popular in the United States, particularly after being featured in hit films such as Saturday Night Fever (1977). Disco sparked a backlash from rock music fans. This opposition was prominent enough that the White Sox, seeking to fill seats at Comiskey Park during a lackluster season, engaged Chicago shock jock and anti-disco campaigner Steve Dahl for the promotion at the July 12 doubleheader. Dahl's sponsoring radio station was 97.9 WLUP, so attendees would pay 98 cents and bring a disco record; between games, Dahl would destroy the collected vinyl in an explosion.

White Sox officials had hoped for a crowd of 20,000, about 5,000 more than usual. Instead, at least 50,000—including tens of thousands of Dahl's adherents—packed the stadium, and thousands more continued to sneak in after gates were closed. Many of the records were not collected by staff and were thrown like flying discs from the stands. After Dahl blew up the collected records, thousands of fans stormed the field and remained there until dispersed by riot police.

The second game was initially postponed, but forfeited by the White Sox the next day by order of American League president Lee MacPhail. Disco Demolition Night preceded, and may have helped precipitate, the decline of disco in late 1979; some scholars and disco artists have described the event as expressive of racism and homophobia. Disco Demolition Night remains well known as one of the most extreme promotions in Major League history.

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Event


Comiskey Park in 1990

In the weeks before the event, Dahl invited his listeners to bring records they wanted to see destroyed to Comiskey Park. He feared that the promotion would fail to draw people to the ballpark, and that he would be humiliated. The previous night's attendance had been 15,520, and Comiskey Park had a capacity of 44,492.[18] The White Sox were not having a good year, and were 40–46 going into the July 12 doubleheader. The White Sox and WLUP hoped for a crowd of 20,000, and Mike Veeck hired enough security for 35,000.

Owner Bill Veeck was concerned the promotion might become a disaster and checked himself out of the hospital, where he had been undergoing tests. His fears were substantiated when he saw the people walking towards the ballpark that afternoon; many carried signs that described disco in profane terms.

The doubleheader sold out, leaving at least 20,000 people outside the ballpark. Some leapt turnstiles, climbed fences, and entered through open windows. The attendance was officially reported as 47,795, though Bill Veeck estimated that there were anywhere from 50,000 to 55,000 in the park—easily the largest crowd of his second stint as White Sox owner. The Chicago Police Department closed off-ramps from the Dan Ryan Expressway near the stadium. Attendees were supposed to deposit their records into a large box, some 4 by 6 by 5 feet (1.2 by 1.8 by 1.5 m) tall; once the box was overflowing, many people brought their discs to their seats.

The first game was to begin at 6 pm CDT, with the second game to follow. Lorelei, a model who did public appearances for WLUP and who was popular in Chicago that summer for her sexually provocative poses in the station's advertisements, threw out the first pitch. As the first game began, Mike Veeck got word that thousands of people were trying to get into the park without tickets, and sent his security personnel to the stadium gates to keep them at bay. This left the field unattended, and fans began throwing the uncollected disco LPs and singles from the stands. Tigers designated hitter Rusty Staub remembered that the records would slice through the air, and land sticking out of the ground. He urged teammates to wear batting helmets when playing their positions, "It wasn't just one, it was many. Oh, God almighty, I've never seen anything so dangerous in my life." Attendees also threw firecrackers, empty liquor bottles, and lighters onto the field. The game was stopped several times because of the rain of foreign objects.

Dozens of hand-painted banners with such slogans as "Disco sucks" were hung from the ballpark's seating decks. White Sox broadcaster Harry Caray could see groups of people, who were clearly fans of music rather than baseball, wandering through the stadium. Others sat intently in their seats, awaiting the explosion. Mike Veeck recalled an odor of marijuana in the grandstand and said of the attendees, "This is the Woodstock they never had." The miasma permeated the press box, which Caray and his broadcast partner, Jimmy Piersall, commented on over the air. The crowds outside the stadium threw records as well, or gathered them and burned them in bonfires. Detroit won the first game, 4–1.

Explosion
The first game ended at 8:16 pm; at 8:40 Dahl, dressed in army fatigues and a helmet, emerged onto the playing surface together with Meier and Lorelei. They circled the field in a Jeep, showered (according to Dahl, lovingly) by his troops with firecrackers and beer, then proceeded to center field where the box containing the records awaited, rigged with explosives. Dahl and Meier warmed up the crowd, leading attendees in a chant of "disco sucks". Lorelei recalled that the view from center field was surreal. On the mound, White Sox pitcher Ken Kravec, scheduled to start the second game, began to warm up. Other White Sox, in the dugout and wearing batting helmets, looked out upon the scene. Fans who felt events were getting out of control and who wished to leave the ballpark had difficulty doing so; in an effort to deny the intruders entry, security had padlocked all but one gate.

Dahl told the crowd:

This is now officially the world's largest anti-disco rally! Now listen—we took all the disco records you brought tonight, we got 'em in a giant box, and we're gonna blow 'em up reeeeeeal goooood.


Dahl set off the explosives, destroying the records and tearing a large hole in the outfield grass. With most of the security personnel still watching the gates per Mike Veeck's orders, there was almost no one guarding the playing surface. Soon, the first of 5,000 to 7,000 attendees rushed onto the field, causing Kravec to flee the mound and join his teammates in a barricaded clubhouse. Some climbed the foul poles, while others set records on fire or ripped up the grass. The batting cage was destroyed, and the bases were pulled up and stolen. Among those taking to the field was 21-year-old aspiring actor Michael Clarke Duncan; during the melee, Duncan slid into third base, had a silver belt buckle stolen, and went home with a bat from the dugout. As Bill Veeck stood with a microphone near where home plate had been, begging people to return to the stands, a bonfire raged in center field.

Years later, Lorelei remembered that she had been waving to the crowd when she was grabbed by two of the bodyguards who had accompanied the Jeep, who placed her back in the vehicle. The party was unable to return to home plate because of the rowdy fans, so the Jeep was driven out of the stadium and through the surrounding streets, to the delight of the many Cohos outside the stadium, who recognized the occupants. They were driven to the front of the stadium, ushered back inside, and taken up to the press room where they had spent most of the first game.

Caray unsuccessfully attempted to restore order by the public address system. The scoreboard, flashing "PLEASE RETURN TO YOUR SEATS", was ignored, as was the playing of "Take Me Out to the Ball Game". Some attendees danced in circles around the burning vinyl shards. Dahl offered his help to get the rowdy fans to leave, but it was declined.

At 9:08 pm, Chicago police in full riot gear arrived, to the applause of the baseball fans remaining in the stands. Those on the field hastily dispersed upon seeing the police. Thirty-nine people were arrested for disorderly conduct; estimates of injuries to those at the event range from none to over thirty.

Bill Veeck wanted the teams to play the second game once order was restored. However, the field was so badly torn up that umpiring crew chief Dave Phillips felt that it was still not playable, even after White Sox groundskeepers spent an hour clearing away debris. Tigers manager Sparky Anderson refused to allow his players to take the field in any event due to safety concerns. Phillips called American League president Lee MacPhail, who postponed the second game to Sunday after hearing a report on conditions. Anderson, however, demanded that the game be forfeited to the Tigers. He argued that under baseball's rules, a game can only be postponed due to an act of God, and that, as the home team, the White Sox were responsible for field conditions. The next day, MacPhail forfeited the second game to the Tigers 9–0. In a ruling that largely upheld Anderson's arguments, MacPhail stated that the White Sox had failed to provide acceptable playing conditions.

Reaction and aftermath


Dahl in 2008

The day after the event, Dahl began his regular morning broadcast by reading the indignant headlines in the local papers. He mocked the coverage, saying: "I think for the most part everything was wonderful. Some maniac Cohos got wild, went down on the field. Which you shouldn't have done. Bad little Cohos." Tigers manager Anderson said of the events: "Beer and baseball go together, they have for years. But I think those kids were doing things other than beer." Columnist David Israel of the Chicago Tribune said on July 12 that he was not surprised by the events, writing: "It would have happened any place 50,000 teenagers got together on a sultry summer night with beer and reefer." White Sox pitcher Rich Wortham, a Texan, said: "This wouldn't have happened if they had country and western night."

Although Bill Veeck took much of the public criticism for the fiasco, his son Mike suffered repercussions as the front-office promoter. Mike Veeck remained with the White Sox until late 1980, when he resigned; his father sold the team to Jerry Reinsdorf soon afterward. He was unable to find another job in baseball for some time and claimed that he had been blackballed. For several years, he worked for a jai-alai fronton in Florida, battling alcoholism. As Mike Veeck said: "The second that first guy shimmied down the outfield wall, I knew my life was over!" Mike Veeck has since become an owner of minor league baseball teams. In July 2014 the Charleston RiverDogs, of whom Veeck is president, held a promotion involving the destruction of Justin Bieber and Miley Cyrus merchandise. Dahl is still a radio personality in Chicago and also releases podcasts.

Cultural significance
The popularity of disco declined significantly in late 1979 and 1980. Many disco artists continued, but record companies began labeling their recordings as dance music. Dahl stated in a 2004 interview that by 1979 disco was "probably on its way out. But I think [Disco Demolition Night] hastened its demise". According to Frank, "the Disco Demolition triggered a nationwide expression of anger against disco that caused disco to recede quickly from the American cultural landscape".

Rolling Stone critic Dave Marsh described Disco Demolition Night as "your most paranoid fantasy about where the ethnic cleansing of the rock radio could ultimately lead". Marsh was one who, at the time, deemed the event an expression of bigotry, writing in a year-end 1979 feature that "white males, eighteen to thirty-four are the most likely to see disco as the product of homosexuals, blacks, and Latins, and therefore they're the most likely to respond to appeals to wipe out such threats to their security. It goes almost without saying that such appeals are racist and sexist, but broadcasting has never been an especially civil-libertarian medium."

Nile Rodgers, producer and guitarist for the disco-era band Chic, likened the event to Nazi book burning. Gloria Gaynor, who had a huge disco hit with "I Will Survive", stated, "I've always believed it was an economic decision—an idea created by someone whose economic bottom line was being adversely affected by the popularity of disco music. So they got a mob mentality going."

University of East London professor Tim Lawrence states, "Following the unexpected commercial success of Saturday Night Fever, major record companies had started to invest heavily in a sound that their white straight executive class did not care for, and when the overproduction of disco coincided with a deep recession, the homophobic (and also in many respects sexist and racist) 'disco sucks' campaign culminated with a record burning rally that was staged at the home of the Chicago White Sox in July 1979." Historian Joshua M. Zeitz suggests that, while "an obvious explanation for the Disco Demolition Night riot might center on the desire of white, working-class baseball fans to strike out against an art form that they associated with African Americans, gays and lesbians, and Latinos", he notes that that demographic group (from which many of the July 12 participants came) swung wildly in the 1980 presidential primaries and election, first supporting liberal Massachusetts Senator Edward M. Kennedy in the Democratic primary, then the conservative Republican nominee, former California governor Ronald Reagan, in the general election, both times opposing President Jimmy Carter, a centrist. "Viewed in this light, Disco Demolition Night supports an altogether different interpretation of the 1970s as a decade that saw ordinary Americans gravitate to radical grassroots alternatives, both left and right, out of frustration with the political center."

Nevertheless, Harry Wayne Casey, singer for the disco act KC and the Sunshine Band, did not believe Disco Demolition Night itself was discriminatory, and stated his belief that Dahl was simply an idiot.

Dahl denies that prejudice was his motivation for the event. "The worst thing is people calling Disco Demolition homophobic or racist. It just wasn't ... We weren't thinking like that." In a 2014 op-ed for Crain's Chicago Business, Dahl defended the event as "a romp, not of major cultural significance". He wrote that it had been "reframed" as prejudiced by a 1996 VH1 documentary about the 1970s, in a move he described as "a cheap shot made without exploration".

In response to Dahl's op-ed, NBC Chicago political journalist Mark W. Anderson, who attended Disco Demolition aged 15, described the fear that white neighborhoods would be taken over by blacks and the anxiety around shifting pop culture trends. He wrote:
The chance to yell "disco sucks" meant more than simply a musical style choice. It was a chance to push back on a whole set of social dynamics that lay just beneath the surface of a minor battle between a DJ and a radio station that decided to change formats. More importantly, it was a chance for a whole lot of people to say they didn't like the way the world was changing around them, or who they saw as the potential victors in a cultural and demographic war.


The unplayed second game remains the last American League game to be forfeited. The last National League game to be forfeited was on August 10, 1995, when a baseball giveaway promotion at Dodger Stadium went awry, forcing the Los Angeles Dodgers to concede the game to the St. Louis Cardinals. According to baseball analyst Jeremiah Graves, "To this day Disco Demolition Night stands in infamy as one of the most ill-advised promotions of all-time, but arguably one of the most successful as 30 years later we're all still talking about it."

</snip>


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Reply 40 Years Ago Today; Disco Demolition Night at Comiskey Park goes south on promoters (Original post)
Dennis Donovan Jul 12 OP
Dennis Donovan Jul 12 #1
icymist Jul 12 #2
Dennis Donovan Jul 12 #3
Initech Jul 12 #4
Beringia Jul 12 #5
mopinko Jul 12 #6
MicaelS Jul 12 #7
LessAspin Jul 12 #8
mahatmakanejeeves Jul 12 #9

Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 05:42 AM

1. As a 14 yr old in '79, I was transitioning from '60s-to-early '70s rock to Punk and New Wave...

...and Disco was everywhere. On the radio, in advertisements, even popular TV shows were "disco-izing" their existing theme songs. Disco sounded so freaking uninspiring and canned to me, so I probably would've been on Dahl's side that night. To me, at least, it wasn't racist or homophobic. It was a dislike for music that sounded boring and shitty to me.

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Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 06:07 AM

2. K & R

Wow.

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Response to icymist (Reply #2)

Fri Jul 12, 2019, 09:04 AM

3. I think they give too much credit for the demise of disco to Dahl's stunt.

IIRC, it was mocked on SNL before this took place. And other sources, as well.

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Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 09:14 AM

4. Can we please have a conservative propaganda demolition night??

I want to see pallets full of Ann Coulter and Sean Hannity books and Lee Greenwood CDs explode!

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Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 09:21 AM

5. I remember this


My sister used to love Steve Dahl and listen to him nonstop, ugh.

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Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 09:32 AM

6. this was right before i moved to the city, and right before i met my ex.

racial tension over white flight was still thick enough to cut w a knife. i lived in one of the hoods that was on the edge, and it was ugly.

ex hated disco, and i dont think he had a single thought about why, but at the time he was a 21 yo virgin, and not a very happy heterosexual, so....
he is not a hater, but he was feeling put upon. he voted for st ronnie.

i was a disco fan, cuz i was divorced and liked to dance.

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Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 09:36 AM

7. I call bullshit on the anti-Disco movement..

Being racist and homophobic. I was an adult back then, and I never heard that back then.

I asked a number of anti-disco people why "Disco Sucks".

I never got a coherent answer.

The only answer I heard was "Because it does".

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Response to Dennis Donovan (Original post)

Fri Jul 12, 2019, 10:31 AM

9. Thanks. I was checking to see if you'd already started a thread on this.

Previously at DU:

From 2018: On this day in 1979: Disco Demolition Night

From 2004: Happy 25th Anniversary of Disco Demolition, Chicago!!!!!

There's a lot of disco I like. Here's a favorite tune:



One more, my favorite disco tune of all time:



This tune was in Saturday Night Fever. Here are The Trampps:



The long version:



From the film:

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