Democratic Underground Latest Greatest Lobby Journals Search Options Help Login
Google

Influencing the course of history, religion and art

Printer-friendly format Printer-friendly format
Printer-friendly format Email this thread to a friend
Printer-friendly format Bookmark this thread
This topic is archived.
Home » Discuss » Archives » General Discussion (1/22-2007 thru 12/14/2010) Donate to DU
 
HysteryDiagnosis Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Jun-16-10 08:04 PM
Original message
Influencing the course of history, religion and art

Aurora Borealis by Frederic Edwin Church (1865).
Smithsonian American Art Museum, Washington, United States of America.



http://www.thunderbolts.info/tpod/00current.htm
“We know that there have been more than 30 reversals of the earth’s magnetic field in the last 10 million years. Associated wandering of the magnetic poles would have resulted in periods when the aurora was seen much more frequently at mid-latitudes than is the case today. Consequently, it is not unreasonable to suppose that Stone Age man gazed with concern at flickering auroral lights and perhaps recorded them in his art.”

This view is endorsed by members of NASA’s THEMIS team, who concluded from this type of rock art that aurorae “have influenced the course of history, religion, and art” from prehistoric times. Other specialists on the polar lights have also speculated “that a great deal of the very ancient engravings which have been found in several grottos along the Mediterranean Sea are in fact pictorial representations of the northern light.”

Moving beyond speculation, a recent comparison with the observed behaviour of high-energy-density plasmas in laboratory, in space and according to particle-in-cell (PIC) simulations suggests that not only some of the French and Spanish cave paintings of the Cro-Magnon era may include auroral motifs, but also the worldwide impressions on rock, typically exposed to the open air, that proliferated from the end of the Palaeolithic and throughout the Neolithic period, roughly from 11,000 BCE to 3,000 BCE, though in many places continuing into later periods. Rupestral art as a whole appears as one monolithic witness to the possibility that awe-inspiring plasma filaments painted their characteristic nonfigurative images in the firmament first.

Contributed by Rens Van Der Sluijs
Printer Friendly | Permalink |  | Top
Orrex Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Jun-16-10 08:12 PM
Response to Original message
1. Well I call that pretty darn nifty.
K/R for kewlness.
Printer Friendly | Permalink |  | Top
 
Mimosa Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Jun-16-10 08:15 PM
Response to Original message
2. Splendid painting... beats Thomas Kinkaid by a longshot
The article is thought provoking. :)
Printer Friendly | Permalink |  | Top
 
DU AdBot (1000+ posts) Click to send private message to this author Click to view 
this author's profile Click to add 
this author to your buddy list Click to add 
this author to your Ignore list Wed Apr 24th 2024, 06:02 AM
Response to Original message
Advertisements [?]
 Top

Home » Discuss » Archives » General Discussion (1/22-2007 thru 12/14/2010) Donate to DU

Powered by DCForum+ Version 1.1 Copyright 1997-2002 DCScripts.com
Software has been extensively modified by the DU administrators


Important Notices: By participating on this discussion board, visitors agree to abide by the rules outlined on our Rules page. Messages posted on the Democratic Underground Discussion Forums are the opinions of the individuals who post them, and do not necessarily represent the opinions of Democratic Underground, LLC.

Home  |  Discussion Forums  |  Journals |  Store  |  Donate

About DU  |  Contact Us  |  Privacy Policy

Got a message for Democratic Underground? Click here to send us a message.

© 2001 - 2011 Democratic Underground, LLC