...especially since it had been well-known that she was suffering from cancer.
But it's particularly hard for those who not only shared their political activism, but who grew up performing their music. I used to teach kids guitar using "Puff" as the example song. And I was in a number of folk groups, some of which performed their songs.
When I was young, it seems the most natural thing in the world for folk music to be a valid and prominent part of the popular music scene, and the realm of the most politically-progressive. But so many of those performers are now gone, whether by natural causes (John Stewart), by their own hand (Phil Ochs), or by their own excesses (Tim Hardin). It's hard to realize, but, nowadays, the notion of folk music as anything other than a refuge for a handful of graying lefties is as bizarre as, say, the idea that gypsy dancing or Haydn quartets could become the Next Big Thing in popular culture.
We still have Pete Seeger, of course, and Joan Baez and Gordon Bok. But their time will come all-too-soon. And then there will be none.
And the band plays Waltzing Matilda,
And the old men still answer the call,
But year after year their numbers get fewer
Some day no one will march there at all.