Hey there, thanks for the letter.
I think what we may do is ask a few folks to do detailed interviews on the phone (sometime in the next week) and then otherwise post short sets of questions to the forum and have threads of answers to each. That's easier and will get more peoples' opinions in.
Your insights are really helpful. On the "effectiveness" or impact of DS/CR, the fact that they are 'preaching to the choir' may prove useful as an indicator. There are historical cases where critical humor cultures grow preceding a major change in what they are attacking, and that raises the question of if these shows' popularity reflects one of those trajectories.
Part of the story here, too, is that because these shows are so often in conversation with "News" propaganda, they certainly reflect a state of control in the mainstream media. But even more interestingly, criticism apparently can only come through the controlled system via humor. And, not uninterestingly, most animated-comedies and comedies on TV tend to be "liberal," imaginative and playful. Whereas on the other side you see very little effective 'conservative' comedy (maybe because of, as Colbert said in an interview, "comedy is all about change, and the conservative by definition doesn't want change." The Half Hour News Hour by Fox News is a case in point. Humor theorists have done wonderful things lately with cognitive science and linguistics to uncover the "frame-shifting" power of humor (a unique power in force, actually) and that makes us wonder also if news-comedies might be especially well suited to deprogram, shift-frames, and play with imaginative alternatives to the status quo. But then again, there is always the looming question of what the shows really do! They are owned by corporations and parody corporations--the whole experiences is mediated and not face-to-face--and one wonders how you can really compare 'organic' humor growths to profitable product-humor in a consumer society.
We have lately come to think maybe they are indicators of a suppressed sentiment, but in the moment a functional part of a system which uses them as a benign rebel-oriented commodity.
We are trying to get a bearing on the significance of these shows, of what they tell us about where we are as a country, and commentary like you wrote below is invaluable. Let me know if we can interview you by phone, or if you wouldn't mind being pestered with some email questions over the next few weeks.
Your insights into more face-to-face comedy, the industry of comedy, as especially as a Cal grad would be really really helpful. I emailed the San Francisco Comedy College recently to ask for interviews with some of their teaching staff-useful maybe? What do you think?
We are also considering asking to interview Stewart and Colbert and Olbermann--though the Comedy Central headquarters aren't the friendliest about letting in muckrakers. If we did, one question I couldn't help but asking is "do you ever feel pressures to censor yourself, how, when? Who pays the writers? etc., But it maybe you can comment on this stuff yourself. If comedy works for the corporati, then this story might be less about counterhegemony as about hegemonic counterhegemony!
Some questions:
1. Would Olbermann have a show like today if The Daily Show hadn't successfully voiced critique earlier?
2. Is Olbermann funny?
3. Is television comedy predominantly liberal?
4. What about animated-comedies?
Thanks,
Chris
Berkeley News Comedy Study
berkeleynewscomedystudy@gmail.com