I need a Halloween Playlist. The Creepier the Better.

[nolabear]

Post whatever you like but what I'm looking for is music that creeps you out. You know, like:

Careful With that Axe, Eugene

http://www.youtube.com/watch?v=BPgAM31N5Co

or Bloodrock's DOA (which I heard late nights under the covers with the radio as a kid and STILL get the galloping fantods from)

http://www.youtube.com/watch?v=KExNxttleaI

[taterguy]

1. Bela Legosi's Dead

Not bothering looking for a link since everyone's heard it already

[NewJeffCT]

76. +1

That is a pretty creepy song.

[kentauros]

2. Any of the artists on these compilations CDs:

The Throne Of Drones
Swarm Of Drones
A Storm Of Drones

Also, anything by Throbbing Gristle

}(

[mitchum]

36. Nice selection there

If you haven't already done so, check out Black To Comm...dark and soothing sounds from the heart of the Black Forest

[kentauros]

54. I did check them out just now on youtube

and I like it! :)

and for some reason, I was also reminded of a former local band, "Voice of Eye"

I think now I'm going to have to tune in somafm's "Doomed" channel ;)

You know what you should do, nolabear? Forget going to all the trouble of making up a playlist and subsequent CD/mp3 file. Just tune in somafm's Doomed channel and you're all set! :D

[Swede]

3. The Cramps - Garbage Man

http://www.youtube.com/watch?v=rVLpaiH2hbQ

[Swede]

4. Filter - Hey Man, Nice Shot

http://www.youtube.com/watch?v=o9mJ82x_l-E&ob=av2n

[Swede]

5. Low - Half Light

http://www.youtube.com/watch?v=dY-LaFHAfQc

[CrawlingChaos]

30. I just bought the Mothman soundtrack

Love that song! The whole thing is excellent, especially the bonus disc with spooky, ambient tracks.

I saw the movie only recently and it was so much better than I expected. The scene at the motel when Richard Gere gets the phone call from Indrid Cold is awesomely creepy.

[arbusto_baboso]

6. Ring of Fire by Wall of Voodoo

That rendition had Johnny Cash spinning in his grave while he was still ALIVE!

[Swede]

7. Tubular Bells - Mike Oldfield

http://www.youtube.com/watch?v=RNgyVliUM3c

[Fire Walk With Me]

8. Same as last year. Anything from SPK's "Leichenschrie".

"Wars of Islam", etc. Plenty on youtube. If you need the creep, that is.

[kentauros]

17. SPK is another good industrial band

original industrial, not the dance crap that's been relabeld as "industrial" ;)

Also Einstürzende Neubauten

[Fire Walk With Me]

19. reprint from SPK DOKUMENT II

SPK DOKUMENT II The second in the series to update on progress and projekts. We have begun working on the second album: LEICHENSCHREI, due for release from the US in May, 82. This will be the final product, as we originally intended. However, there will be a movement into video and film, beginning with L'Etat Haemophiliaque (Intemal Bleeding) which is in progress and will have its first screening in Australia later this year. SPK will then specialise in soundtrack, a medium we have always had a strong sympathy with. In response to the considerable interest shown in our projekt so far, we have decided to devote a Dokument to an explanation of some of the areas of research into sound and visuals which we have used. Subliminal content in lyrics and voice tapes occupies much of our attention. However it requires feedback from others in order to evaluate their effectiveness. That is why we always encourage personal correspondence, even though various members of the group prefer to remain anonymous (as far as possible). In addition, we try to provide some interesting information on experiments into mental phenomena, and to dispel some of the boring myths about infra/ultra-sonics. We have often been asked the reason for apparently limiting ourselves to the mental sphere. The answer is that we feel the need to intensify interest in the SPECIFIC locus of consent to be repressed in the individual. We therefore claim to be "political," but not in the accepted sense of the term. In 1982 SPK will abandon its earlier practice of limited publik appearances, with scheduled live assaults in Japan, Europe and Amerika. SOUNDS OF EMOTIONAL DISTURBANCE There exist dynamic mechanisms whereby the emotionally disturbed person produces a specific acoustic impact on the listener.
Acoustic patterns are subject not only to the physiological laws governing respiration and phonation, but also to social rules regarding acoustic expression of emotion. Experiments by Peter Ostwald in 1960 resulted in objectification of some patterns into four categories: 1. Hysterical/excited subjects produced a 'sharp' voice with acoustic doubling in the mid-range, identical to children's voices. 2. Depresse`Vobsessional people show persistent fixing of one fundamental tone, and a midrange pattern smeared out in a 'flat' way across the spectrum. 3. Organically ill/emotionally drained subjects have characteristically 'hollow' voices with just a single concentration of sound energy at the low end of the spectrum. There is steady dropping off of energy in the mid-range and wasting away in the upper region, responsible for unintelligibility. 4. A 'robust' voice was characteristic of those who felt the need to be heard, to impress and influence others. This was most often displayed by epileptic personalities, and by hypomaniacs and some neurotic subjects. But what effects do such impact patterns have on the auditory system of the listener? The intake structure of the human ear favors the mid-range of the acoustic spectrum. Sounds there produce a much stronger impact than equally intense insonation at the upper and lower extremes. Hence the reason that the human scream is concentrated over that area. Acoustic records of psychiatric patients reveals certain peaks along the frequency-intensity spectrum more recurrent and prominent than others. When subjected to stress situations, ordinary subjects exhibit a gain in acoustic intensity at 125Hz and 500Hz. It is more complicated with psychiatric patients, but the measure of total loudness is significant also at 500Hz. In addition these observations were taken before and after various standard types of treatment, the results showing that there was a significant increase in loudness after electroconvulsive therapy and a decrease after drug treatment. It is of interest that the 500HZ band is the most significant, since it is here that the neonatal infant emits the first cry. The experiments also showed there was little difference between patterns of the two sexes, indicating that sounds of acutely disturbed patients stem from some primitive, pregenital response pattern. SUBLIMINALS AND UNCONSCIOUS The unconscious provides frames through which consciously perceived data is interpreted and evaluated. The task of art, music, literature, psychoanalysis and advertising, is to penetrate and manipulate these structures. The effectiveness of any of these fields has very little to do with conscious perception. The most blatant use of subliminals is of course found in advertising, but in art is goes a lot further back. The most usual technique is EMBEDDING of words or pictures in the ground of the advertisement, behind the figure (or obvious focal point). This technique was a favorite with 18th Century artists, and must later Dali, Escher etc. A subliminal imprint of the word SEX can even be found in a Rembrandt. This is the most common of a vocabulary of eight words (including CUNT, FUCK and DEATH) which are very frequently embedded in advertising copy. The word is either painted on a photoengraving plate with asphaltum and briefly immersed in acid, or lightly airbrushed into a photograph in hair, folds of clothing, etc., or written onto a transparent overlay, photographed alone at about 1/2,000 of a second, then double exposed at the art layout at around 1/100 of a second. The zenith of obscenity was reached in the daily newspaper photograph of Vietnam atrocities, which often had an extraordinary mosaic of SEX's scrawled subliminally over them (see photo) . To sell war better? To make it more palatable? More erotic? The other technique used very often is incorporating ANAMORPHIC images into the copy. This is high distortion, often grotesque, and only at times consciously distinguishable. One of the earliest examples in art is Holbein's anamorphic skull in the Ambassadors (1533). Frequently this method of triggering unconscious response in advertising involves strange and distorted shadows in the ground. Television and film have incorporated subliminals for a long time. They are presumed banned from television but are often so subtle that they escape censorship. A fairly recent example in film was the apparently innocuous Exorcise where the whole
range of techniques was used, including death-mask embeds of two frames at 1/48 of a second. This was consciously visible to about 1/3 of the audience, and another 1/3 was vaguely aware of it upon questioning. But the group on whom the film showed most emotional impact were those who had not noticed it at all, i.e. those who had consciously repressed the images.
Soundtracks are also especially important in management and control of movie audiences. Hitchcock ranked sound as more vital to the success of his suspense movies than his visual illusions. It is often claimed that subliminal material does not really affect the subject. In fact it is true that the subtlety is difficult to specify in simple cause-effect terminology. But it can be shown that there is something going on in the unconscious by watching EEG and galvanic skin response meters, and retinascopes which measure the compulsive expansion/contraction of the retina, plus Mackworth camera which tracks the ultra-fast movements of the fovea across any scene. In addition the Poetzle Effect whereby people exposed to subliminal ads reveal their effectiveness much later by unconsciously choosing that brand out of a wide range, is statistically verified. Experiments with fovea cameras have shown that the fovea moves in a saccade from point to point in response to symbolizing content. Symbols involving death will pull the eye irresistibly towards a specific locus, and even sex has to run second in Westem culture in almost 100% of cases. Design elements - lines of movement or attention - also are vital in directing the fovea. Meaning is derived from the sequence of microsecond stops compulsively made by the fovea in its saccades. Change the sequence and the meaning changes, even though the frame content remains the same. BEHAVIOR CHANGES PRODUCED BY ACOUSTIC STIMULI. Systematic manipulation of the acoustic environment can and has been used as a primary technique for influencing human behavior. High intensity noise was used in the cells of the prison at Sta'T~nheim in West Germany where the Baader-Meinhof were imprisoned. The constant inability to hear the sounds of their own bodies and the unceasing stress caused must have been a major factor in their suicides. The intensity level is the most important feature. Noise above 130 dB leads to loss of space orientation, above 140 and the subject feels nauseous and may vomit. At 145 dB the stretch receptors of muscles, joints and tendons are affected and the movement of limbs becomes disorganized. And at 150 dB the skin receptors are activated producing heat pain. But in addition to stress, there is the annoyance factor. To speak intelligibly in noise requires 18 dB more volume than the noise signal, and the listener must also work harder. Feedback mechanisms are interfered with when one can't hear one's own sounds, leading to speech retardation, blocking, slurring and repetition. In addition the nomlal speech rhythm and intonation patterns are lost and subjects produce strange noises. They also laugh aggressively and erotically, and most significantly reveal information they would otherwise have never divulged. This pattern is most notable in acute paranoid schizophrenics where aggressive behavior and panic reactions involving hyperparanoia can be induced. Finally one can consciously or unconsciously attribute meaning to noise because it frustrates the habitual listener demand for precise environmental clues. Noise had the capacity to suggest various imaginary and autistic interpretations which may disturb. Human body sounds are also the subject of investigation as to their effects on listeners. Respiratory sounds have been found to have a hypnotic effect when amplified and resumed to the ears of the breather and others. Panting produces anxiety and wheezing seems to stimulate paternal/maternal "instincts." found that behavior and development of babies can be sped up by exposure to taped heart beats. Those in the experimental group exhibited increase in weight, greater depth and regularity of respiration, less restlessness and crying, and fewer gastro-intestinal problems. An intimate relationship between the sound of urination and human auditory responsivity has often been noted (first by Van der Heide 1941), but the study was never completed. It is possible that the foetal development of the urogenital tract and the ear are related in some way. Tests carried out by psychologists in the auditory field show much the same unconcious processes operating as for visuals. It is fairly easy to see that sublimal stimuli presented at intensity just below that necessary to hear them properly will trigger off psychic responses. But a stimulus influences not only output behavious, but also input, because the meaing of the word contributes to its audibility. Sex words presented 5db below threshold to anorexics, for exapmple, let to signigicantly more food responses that neutral or conscious stimuli. It is important however to adopt an attitude to sublimal techniquse, as to most technology, that it is not, in itself, a grat evil. The problem is that we are being manipulated without our knowledge for purely commercial or reputational gain by corporations or artists interested in pantentialting specific responses. In both cases the subject has no choice in the matter. However, it is possible to use the idea in another way. The educational potential of sublimals is enourmous, since it is experimentally shown that thresholds for learning are much lower at the unconscious than the conscious level, where distraction, anxiety, tension and fear control the thresholds. In film and sound production it is possible to include sublimals which can potentiate free associations in the
unconscious, rather than dictating any specific response to it and denying it any choice or participation in the process. INFRA / ULTRA SOUND. Sound sources at frequencies outside the nomlal limits of human auditory response are the subject of much popular mythology. First research in depth by the US Military in the 50s, they are now used primarily in warfare and medical applications. SPK has been using certain kinds of low and high frequency generators: for some time in live assaults. Here we present some facts about such signals. Infrasound, or frequencies below 20 Hz, is commonly the byproduct of transport, air heating/cooling systems, compressors, transfommers, and vibration/acceleration phenomena. But in order to experimentally generate these frequencies at adequate levels for hearing (or rather for experiencing), requires immense power and large and specialized equipment (e.g. piston-driven speakers). The loudness factor necessary is in excess even of the loudest aero-turbine at some frequencies. However, once generated, annoyance thresholds increase very fast as we take the oscillator or noise generator down through
the range. Once the tactile sensations become evident there is a dramatic leap in the response curve (i.e. below 10 Hz). At 20 Hz it requires 85.2 dB for the signal to be perceived, rising to 92.1 dB at 15 Hz, 99.5 at 10 Hz, 111.1 at 5 Hz, and a massive 121.4 dB at 2 Hz. The following subjective responses were experimentally gained by subjecting test subjects to whole-body fields. 2 - 5 Hz (137 dB) - difficulty in speaking/voice modulation, chest wall vibration, swaying sensations, lethargy, drowsiness, headaches and fatigue. 5 - 15 Hz - middle ear pain, difficulty speaking/voice modulation, severe chest wall vibration, severe abdomen vibration and nausea, falling sensation, lack of concentration/drowsiness, severe fatigue/headache. 15 - 20 Hz - severe middle-ear pain, respiratory difficulty, severe chest wall vibration, gagging sensations, spasm of uncontrollable coughing, nasal cavity vibration, persistent eye watering, fear symptoms (including excessive perspiration/shivering), severe fatigue/headaches. In two cases (both female) cuntaeous flushing. Yet perhaps most interesting of all is that in no case did any of the subjects request that the experiment be discontinued, though several were unwilling to submit to a repetition. In fact if the same volume of sound is fed to experimental subjects at frequencies above theinfrasonic region (e.g. from 50 -100 Hz) the above symptoms are seen to be far more acute, and at lower volumes. At the other end of the spectrum, it is necessary to have more specialized equipment for generating signals in the megahertz range. But the effects are severe and applied in sophisticated weapons technology. Ultrasound works by raising the temperature of living tissue, the main parameter being DURATION of exposure rather than variation in frequency or intensity of the source. The threshold temperature is inversely related to the logarithm of duration, for irreversible damage to the mammalian central nervous system it is sufficient to generate a signal of 2.7 MHz pulsing 10 - 200 microseconds sustainer for anywhere between 0 1 - 180 microseconds, giving a temperature rise of 42c. Specific effects from experiments at similar levels Neurological/Behavioral - altered BEG, altered emotional behavior, delayed neuromotor reflex, development in foetus. Genetic - decreased incorporation of nucleic acid, precursors, chromosomal aberrations, DNA strand degradation. Foetal Development - mutations, postpartum mortality, reduced weight, altered emotional behavior. Hematological/Vascular- decreased clotting time, haemorrhage, blood stasis. Immunal System - depressed response in general, spenomegaly. ART BRUT Art Brut is the name given to the collection of paintings, sculptures, drawings, and writings by patients in mental asylums of France, or by people found living in total obscurity producing works producing works of art obsessionally. It is housed in a small museum in Laussane, Switzerland and periodically is shown at obscure venues around Europe. The quality of the work is screened (for better or worse) with a view to retaining only that which seems entirely original. The result is a living array of undecipherable calligraphiks, primitivist figures, unreadable muzik, and obsessive designs as well as a vast array of curious paintings of style found nowhere in "art history". Some of the more interesting people are Adolf Wolfi, who aged 25 molested young girls, was given 2 years jail, and later, a similar offense led him to be interned at Waldau. He was conceptionally violent and spent 20 years in solitary confinement. In 1899 he began to write, design, and compose musik, working feverlishly day and night. His muzikal works are not able to be interpretated in the ordinary way, appearing to be for vusual effect and incorporating strange collages. Heinrich Anton Muller began in 1917 to design and cover the walls of his room iwh symbolic images. He also made funcionless machines, this work occupying him for 12 years. Then in 1925 he suddenly began again and produced a completely different set of designs. Robert Gie was hospitalised for 14 years as alcoholic, until 1922, where he suffered from delusions of paranoid variety. Most of his work was done around 1916, and its complex linkages between man and machine figuring control of mental process, is far in advance of such ideas in mainstream art. xywoleh vay barec het vay yomar ha elohe elohim ascher tywohe hythale chuabotay lep ha nawabra hanveys ha hakla elohim haro he otymeo dy addhayon hazze hamalech hago (SOLOMON'S KEY) Lyrics from SPK's forthcoming LP. reprint from SPK DOKUMENT II

[Fire Walk With Me]

48. Relax, I'm not into this sort of thing very much anymore.

I'm just giving what was asked after.

[Swede]

9. Black Sabbath - black Sabbath

http://www.youtube.com/watch?v=akt3awj_Ah8

[VioletLake]

10. Dig

Mudvayne
http://new.music.yahoo.com/mudvayne/videos/view/dig--2152227

[Swede]

11. Blue Öyster Cult-Joan Crawford

http://www.youtube.com/watch?v=BmYjAnqf07g

[wickerwoman]

12. Werewolf Bar Mitzvah

http://www.youtube.com/watch?v=0BKVGlt94jU

[Tikki]

13. "Graveyard Stomp"....The Meteors

http://www.youtube.com/watch?v=96ImGoDGlsI

The Meteors have many creepy songs...that's much of what
psychobilly music is all about...


Tikki

[Swede]

14. The Ramones Pet Sematary

http://www.youtube.com/watch?v=L6GzVCYqoyY

[Archae]

15. Midnight Syndicate.

Just about anything by them.
Including this tune:

http://www.youtube.com/watch?v=0sJKkmM2Pec&feature=related

[Swede]

16. A couple by Type O Negative

Haunted
http://www.youtube.com/watch?v=eanzUgYF9SU

Wolf Moon
http://www.youtube.com/watch?v=Ew9Rb1BrMAU

[Arugula Latte]

18. Lullaby (The Spiderman) -- The Cure

http://www.youtube.com/watch?v=sS6t56U9tBg&ob=av2n

[nomorenomore08]

20. Swans - "Young God"

http://www.youtube.com/watch?v=97t4QXPvKGo&p=51C048832A7F4033&playnext=1&index=41

Read along with the lyrics for best results. :evilgrin:

[dddem]

21. I apologize I can't provide a link, but

Tom Waits did a version of Heigh Ho (The dwarf's marching song from Snow White) on an album called Stay Awake. It was covers of Disney songs. When I played this one for my baby, I cried! It was scary!. And surprising, considering what a happy song it was supposed to be. Interesting interpretation.
You can find it on You tube, but I'm an idiot and don't know how to link it. Sorry.

[Inchworm]

22. Linky

http://www.youtube.com/watch?v=C4_zaZ3utUY

creepy indeed :)

:hi:

[Dr Morbius]

23. It doesn't start immediately. Be patient with it.

http://www.youtube.com/watch?v=C4_zaZ3utUY

[hobbit709]

24. Screamin Jay Hawkins

Feast Of The Mau-Mau
http://www.youtube.com/watch?v=Sv60Gb97Izo
I Put A Spell On You
http://www.youtube.com/watch?v=7kGPhpvqtOc

[tigereye]

44. great tunes!

[kentauros]

25. I guess if you're looking for creepy "songs"

instead of creepy sound, you can't go wrong with Nick Cave and the Bad Seeds :D

Red Right Hand
Jack The Ripper
Stagger Lee

[MiddleFingerMom]

26. Shame on you with the nola in your name!!!

.
.
.
.
.
The intro music to Nastassia Kinski's "Cat People" remake.
.
http://www.youtube.com/watch?v=g3JpozIfWIY&p=634C29AC8BCDA696&playnext=1&index=44
.
.
.

[nolabear]

29. Oh GOD I love that. Creepy and sexy all at once.

[Swede]

27. A few vampire themed ones.

Concrete Blonde - Bloodletting

http://www.youtube.com/watch?v=NuxCg_M8vgk

Blue Oyster Cult - Nosferatu

http://www.youtube.com/watch?v=1A8wj9XiEho


Blue Oyster Cult - I love the Night

http://www.youtube.com/watch?v=izjl-FODymg

[cemaphonic]

28. Diamanda Galas

If you want genuinely creepy, and not just Halloween schlock creepy, she's pretty hard to beat.

[mitchum]

38. I second that

[CrawlingChaos]

31. creepiest song ever: Frankie Teardrop by Suicide

I played it one night while my husband was in another room drifting off to sleep and the next day he chewed me out for giving him nightmares and made me promise never to play it again. This is a shortened version, which I would not recommend for the easily disturbed:

http://www.youtube.com/watch?v=3YprQnzRfjg

My absolute favorite creepy music would be the soundtracks from the Silent Hill games. The music is melancholy and haunting, in the best possible way. Here's a tiny little taste, but all the SH soundtracks are uniformly awesome: http://www.youtube.com/watch?v=_qasnp026MY

[mitchum]

37. Good call on "Frankie Teardrop"... even their love songs like "Cheree" and "Dream Baby Dream"...

are unsettling.
I love me some Suicide.

[ghostsofgiants]

69. This is thecorrect answer.

Fuck that song is intense.

Good call on the Silent Hill soundtracks too. Even the track "End Of Small Sanctuary" from Silent Hill 3 which is kind of warm and summery has a really eerie feel to it.

[NewJeffCT]

77. I will have to listen to that one tonight when I get home

never heard of the group or the song, though.

[NuttyFluffers]

32. Velvet Acid Christ does good creepy. but i'm curious about the type of creepy.

'cuz i could recommend Wumpscut, or maybe some of the more melancholy matieral of Joy Division (but isn't it all melancholy!? ;) ). And that's just easily recognized Western stuff.

... how far into to the abyss do you wish to stare? :evilgrin:

[AsahinaKimi]

33. BoA Kwon's Scream

http://www.youtube.com/watch?v=UFr_V9KzAEE

[RadiationTherapy]

34. I have some Halloween tracks on a couple of my albums.

You can listen/download by clicking the title in the links below.

'Halloween' from 'as Ugly as You are' http://sinningofthebeginning.com/TrackPagesAUAYA/8_Halloween.html

'Crossing Over' from 'God Damned Halloween' http://sinningofthebeginning.com/TrackPagesGDH/5_CrossingOver.html

My six year old daughter sings a spooky song also: 'Skeleton Run' http://sinningofthebeginning.com/TrackPagesGDH/4_SkeletonRun.html

[Bossy Monkey]

35. Jim Stafford, "Swamp Witch," Dream Syndicate, "My Old Haunts,"

or "Black," or anything from the "Ghost Stories" record, really.

[HopeHoops]

39. Start with Alice Cooper's "Welcome To My Nightmare".

"Thriller" is good (not because it is a good song, mind you, just because it is creepy like the mutant that performed it).

Anything by that bubblegum pop Justin Beebie-jeebie kid. He's just creepy to LOOK at.

Bach on an organ - just about anything will do.

[DBoon]

65. More Alice - "Dead Babies" and "Killer"

nt

[OffWithTheirHeads]

40. I can't believe no one has yet mentioned J.S. Bach

Tocatta and Fuge in D minor
http://www.youtube.com/watch?v=ipzR9bhei_o

Or

Carl Orff
O Fortuna
http://www.youtube.com/watch?v=q9adW5No9IM

Or the best Halloween song EVEA!

The Monster Mash
Bobby Boris Pickett
http://www.youtube.com/watch?v=q9adW5No9IM

[Mokoil]

41. The soundtrack from

The Abominable Dr Phibes

http://www.youtube.com/watch?v=jJIeOmNN60M

[tigereye]

42. Horror Pops - Walk like a Zombie.. not really creepy, a bit more fun..

check out psychobilly bands- they have a lot of creepy/scary/fun tunes.

[tigereye]

43. Billy Holiday's Strange Fruit?

just a thought- it is creepy and also political!

[VioletLake]

45. Try setting up a lynching tableau in your yard for Halloween.

Just a thought about your creepy thought.

[tigereye]

57. wasn't meant to be offensive, just it's a disturbing song and for good reason

[mikeytherat]

46. "Spooky" - Classics IV, "Frankenstein" - Edgar Winter

mikey_the_rat

[GoCubsGo]

47. "Goblin Girl" by Frank Zappa

http://www.youtube.com/watch?v=Of8m-Hf6fok

Not creepy, but a great Halloween song.

[Richardo]

49. "Hex" by Neko Case

:scared:

[jpak]

50. Siouxie and the Banshees - Spellbound and Halloween

:scared:

[nolabear]

51. May be the vid as much as the song, but Marilyn Manson's The Beautiful People

is wonderfully creepy, and I confess I like it a lot.

http://www.youtube.com/watch?v=Ypkv0HeUvTc

[Swede]

52. kate bush - experiment 4

http://www.youtube.com/watch?v=a6hvNe11r9U

[Swede]

53. Marilyn Martin - Night Moves

http://www.youtube.com/watch?v=QGD77VsaCLs

[atomic-fly]

55. Waltz in Black

http://www.youtube.com/watch?v=kFeykueEZNI

[Swede]

56. Donovan - Season Of The Witch

http://www.youtube.com/watch?v=B5aPhGQ0L9Q

[sakabatou]

58. OK

Raw Breath of Danger: http://www.youtube.com/watch?v=fnnvfk-6q3I
Enemy Unseen: http://www.youtube.com/watch?v=OSCU5QGtB48
Choked: http://www.youtube.com/watch?v=wgs7jvULnkE
Torn Apart: http://www.youtube.com/watch?v=6M0gIo-0sCo
Aura (Evil Version): http://www.youtube.com/watch?v=sTzeez6w1U0
Black Escaflowne: http://www.youtube.com/watch?v=X1clgyPLkUg

[Swede]

59. Mortiis - Parasite God

http://www.youtube.com/watch?v=EM-VTCesxHg

[CBGLuthier]

60. Main Theme from The Fury

John Williams channels Bernard Hermann fairly well.

http://www.youtube.com/watch?v=EooTztXRQ_Y

[Swede]

61. Dead Can Dance - The Host of Seraphim

http://www.youtube.com/watch?v=gmzTFVlES_I

[triguy46]

62. Hope Sandoval and the Warm Inventions "For the Rest of Your Life"

Never let your hand shake when you're firm on your blade
Never keep a keepsake of the spill that you make
Keep your eyes peeled on the bridge that you burn
Never lay your hand in the furnace of gold

Oh for the rest of your life
Oh ‘cause you'll never be here twice
Oh ‘cause your mama's in your face
Oh gonna pay that big price




http://www.youtube.com/watch?v=DikmsZMsKAU

[Swede]

63. Echo & The Bunnymen - The Killing Moon

http://www.youtube.com/watch?v=aX1PwkgwsG0

[DBoon]

64. "Night of the Surfing Dead" by Sex With Lurch

No I can't find it on youtube, but I swear it's real

[Commie Pinko Dirtbag]

66. "Lady d'Arbanville" by Cat Stevens -nt

[Rhythm]

67. "Claire's Horrors" - London After Midnight

http://www.youtube.com/watch?v=h_0BVD1IGMM

[ghostsofgiants]

68. Treble zine did a good list a few years back...

http://www.treblezine.com/features/131.html

[Lucian]

70. Anything from the "Queen of the Damned" movie soundtrack.

[whistler162]

71. Rider's in the Sky - Ridin' the Tweetsie Railroad

Ghost Train

[GReedDiamond]

72. The Residents...Gingerbread Man...

http://www.youtube.com/watch?v=hr-I6-gxecg&ob=av2e

What REALLY creeps me out is the Carly Fiorina ad before The Residents video, so be forewarned!

Sorry about that...

[HughBeaumont]

73. Sunn o)))))) - Black One (the whole album)

Anything by Whitehouse
"Go Spread Your Wings" by Godflesh
2001: A Space Odyssey soundtrack
The Exorcist Sountrack
Tubular Bells - Mike Oldfield
Early Man - Steve Roach

[travelingtypist]

74. The theme music from Dark Shadows.

It still creeps me out.

[NuttyFluffers]

75. well, here's a few more. still no idea what type of creepy looking for.

In your face creepy
Wumpscut - Dried Blood of Gomorrha
http://www.youtube.com/watch?v=rqQHfqcoe_w

Wumpscut - Funeral Diner
http://www.youtube.com/watch?v=XFw8-me3OuI

Marilyn Manson - Cryptorchid (listen to the latter half)
http://www.youtube.com/watch?v=6BlUfaMLj3s

Hauntingly sad creepy
Vast - Lady of My Dreams
http://www.youtube.com/watch?v=2ltteGZEN18

Switchblade Symphony - Cocoon
http://www.youtube.com/watch?v=TD0d5pOcN4M

Danceable downtempo sensual creepy
The Tear Garden - In Search of My Rose
http://www.youtube.com/watch?v=IiwynSly7BU

Switchblade Symphony - Gutter Glitter (w/ tubular bells!)
http://www.youtube.com/watch?v=6cxiRHveka4&feature=related

Rasputina - Transylvanian Concubine
http://www.youtube.com/watch?v=OZ1SJ47cgEg

instrumental and/or electronica creepy
Faith and the Muse - Interlude-Maleficio
http://www.youtube.com/watch?v=SOmdUyjHQcs

Brian Eno - On Land album (mostly atmospheric)
http://www.youtube.com/watch?v=9V4AYiHlAf0

Miranda Sex Garden - Escape from Kilburn
http://www.youtube.com/watch?v=cw0IvixGXKg

Die Form - Bite of God
http://www.youtube.com/watch?v=PvVccaOQrTM&feature=related

Orbital - Out There Somewhere (part 1)
http://www.youtube.com/watch?v=h-K0H8IUSVE&feature=related

(sadly, there's much i have that i cannot find a Youtube vid for. most of my creepiest stuff will just have to go unknown. :( but if you have a concept, give the description and it's easy to narrow down after that.)

[Deep13]

78. Bach, Toccata Fugh; Mozart Requiem Mass;...

Zeigfried's Death and Funeral Music from Gotterdammerung, Wagner.

Also, movie soundtrack albums from The Lost Boys and Queen of the Damned.

[michaelslomo]

79. The Monster Mash

By Bobby "Boris" Pickett.

[bif]

80. Dead Can Dance and This Mortal Coil

[nolabear]

81. I am impressed with the general creepitude of this list! I always thought Last Kiss was creepy.

The original, with all props to Pearl Jam, who did a great cover.

http://www.youtube.com/watch?v=bh4se9YMV3A

[Swede]

82. A couple more by the Blue Oyster Cult

Don't Fear the Reaper

http://www.youtube.com/watch?v=1ycOp67eLoM

Astronomy
http://www.youtube.com/watch?v=MTKKf-K3kH4