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Artists need galleries to show-- and promote-- their work. But it goes both ways: galleries can't just rely on the same old same old, but need to discover new artists and bring them to the art market. Obviously some galleries are better at this than others.
I would think that, in the absence of contract language forbidding it, your partner is within his rights to withdraw the painting and sell it on his own. But if he wants to develop an ongoing, mutually beneficial relationship with this gallery, he would do much better to bring the buyer to the gallery. That shows the gallery owner: (1) your partner is serious about wanting to work with this gallery, and (2) your partner is serious about promoting his own work, which will also bring walk-in traffic to whatever gallery he's showing in. If the gallery owner has the brains God gave little green apples, he'll see this as an extremely good thing, and he ought to figure it'd be worth his while to expend some extra energy on your partner's behalf.
If your partner doesn't think this gallery is any good, then he can pull the painting and keep the money. But there's a risk that, not only will he never be invited to that gallery again, he'll also get a reputation as a sleaze. Unless he has reason to believe that this gallery is worthless, he should consider that commission to be an investment in his career. Hopefully it'll be a good one.
Maybe that's really naive thinking-- certainly it has seldom worked out in my artistic life, which has been in music, that domain where no good deed goes unpunished. But I still think there's such thing as karma for artists.
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