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What one might think of as the era when popular music split into dozens of genres and suibgenres and sub-sub genres...from "alternative rock" to "grunge" to "trip-hop", et cetera.
Might as well go chronologically...
1989: Pixies, "Doolittle" - probably their best album; an almost seamless masterpiece from start to finish.
1990: Massive Attack, "Blue Lines" - The album that defined the "Bristol sound" and created the newe genre of "trip-hop" by blending the sounds of Jamaican dub, R&B, hip-hop, and dance music into something new and different; still sounds amazing today, almost 15 years later.
1991: U2, "Achtung Baby" - U2's last significant album, in my opinion...since then they seem to have degenerated into lame self-parody fuelled in no small part by Bono's monstrous ego.
1992: REM - "Automatic For The People" - One of the best efforts in REM's catalogue, and maybe the best (although arguments can be made for "Green", "Document" and "Fables of the Reconstruction"), and an achievement they've not equalled, musically, since (although they came close with "New Adventures in Hi-Fi").
Tom Waits - "Bone Machine" - Waits continues the shift in sound that he started with "Swordfishtrombones". His music here is even more like some weird, alien blues played by lunatics on instruments salvaged from junkyards, and his voice even more like "Louis Armstrong and Ethel Merman meeting in hell", as he put it (best example here is "Dirt in the Ground"). His best album since "Rain Dogs", and "I Don't Wanna Grow Up" got covered by the Ramones (and how cool is that?)
1993: PJ Harvey - "Rid Of Me" - Polly Jean makes Courtney Love look like a no-talent poseur. Lyrics full of rage, angst, and twisted longing, over seriously rocking guitar riffs and a driving backbeat. Music needs more women like this.
1994: Nick Cave & the Bad Seeds - "Let Love In" - Perhaps the quintessential Nick Cave album, from the dark sexuality of "Do You Love Me?" (Part 1) and "Loverman" to the eerie paranoia of "Red Right Hand". Cave has a very distinctive baritone, used excellently here, and the Bad Seeds show why they're known as one of rock's best backing bands.
Soul Coughing - "Ruby Vroom" - Imagine drug-influenced spoken word or beat poetry over mutant jazz that takes riffs from Thelonious Monk and whoever did the music for old Warner Brothers cartoons.
1995: Kool Keith & Dan the Automator - "Dr Octagon" - Quite possibly the weirdest hip-hop album ever, with totally sick beats and rhymes that sound like the result of a collaboration between William S Burroughs and Arthur Rimbaud after imbibing a LOT of absinthe (lots and lots of scatological outer-space stuff). Mind-blowing production, and it's just hilariously funny on top of that.
1996: Tool - "Aenima" - the mid-nineties were not an especially good period for rock, and this album was one of the few bright spots. (Plus, I have fond memories of getting really stoned and watching Fritz Lang's Metropolis with this as the soundtrack.)
And 1996 seems a good ending point for part 1 of this list...I may continue, depending on my mood and interest.
Thought or comments? Feel free to agree or flame below. Heh.
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