Showtime?
Clergy-abuse victims' pain made plain
David Wiegand, Chronicle Staff Writer
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/05/21/DDGI6CR9GC1.DTLSaturday, May 21, 2005
Our Fathers: Original drama based on fact, 8 p.m. Saturday, Showtime
Showtime's "Our Fathers" may be a tale clipped -- as opposed to ripped -- from the headlines, but it's been clipped very well, for the most part.
Based on the book "Our Fathers: The Secret Life of the Catholic Church in an Age of Scandal," by David France, the film doesn't shed any new light on the scandal that made headlines across the country and resulted in Boston's Cardinal Bernard Law getting kicked upstairs by the Vatican. However, it does do a heart-wrenchingly credible job of conveying the enduring pain of abuse victims whose adult lives were haunted by what happened to them at the hands of men they were taught to trust.
Competently directed by Dan Curtis from a screenplay by Thomas Michael Donnelly, the film focuses at first on the career of Father John Geoghan, whose history of abusing young boys stretched back to 1965. In an early scene, we see the young Geoghan visiting a family in Hingham, Mass., and offering, as he leaves, to "bless the boys," which only pleases their trusting parents.
He goes to the room of young Angelo DeFranco, shown trembling in terror as the priest approaches his bed...
Tavis Smiley's Ted Danson interview about it from Thursday:
http://www.pbs.org/kcet/tavissmiley/archive/200505/20050519_transcript.html...Tavis: Yeah. Now, you play a lawyer in this particular movie. Tell me about the role you play.
Danson: His name is Mitchell Garabedian, and he was a Boston lawyer who, I think, was described by someone incorrectly as kind of, you know, an ambulance chaser, which he wasn't. But he was doing these kinds of cases, and he was the one who--the tragedy is that the reason why this went on, one of the reasons why this was allowed to go on and on and on is 'cause it was secret. When a family would sue the church, you know, and say, "This happened," and it did, then the insurance policy the church carried would pay an automatic $20,000. The court put a gag order on everything that took place so that if anyone spoke about this at all, they would lose the money immediately. They would have to pay it all back and be in a lot of trouble. There's that kind of secrecy. There's the secrecy of the fact that this is really like a parent abusing a child, because the priests are the next thing to God, you know, to Jesus. So it's unheard of. This couldn't possibly be taking place. The family would be torn apart because this couldn't be happening. Not the priests. The child in all child abuse cases, almost always, they blame themselves. It's something about them made this happen, so the shame is so deep that the whole situation is about secrecy. So, for these people to come forward is so brave, so courageous.
Tavis: How did the illness and the recent passing of the pope affect the production? 'Cause I thought I heard somewhere that this project might have come out sooner had it not been for the pope's--
Danson: I'm not sure that we--I know that they postponed--in Boston, they postponed the premiere, the showing of the film. I know they did do that. But I don't know if they postponed the actual date. I'm not sure, to be honest. I don't know about that. In a way, I'm glad they did, because Cardinal Law, who is, kind of, the center of the controversy in Boston--first off, let me just take a little parenthesis here. It's not just Boston. It's, you know, it's happening in Los Angeles, happening in every city in this, you know, this country....