Tue May 15, 2012, 01:49 PM
cali (94,633 posts)
James Lipton: How to Act Human: Advice for Mitt Romney From Inside the Actors Studio
A few months ago, Brian McFadden’s weekly comic strip in the Sunday Times offered ways for Mitt Romney to improve his image. One panel showed him with me on the set of Inside the Actors Studio, under the heading “Take Acting Lessons to Appear More Relatable.”
In this media-saturated era, the line between politics and performance has virtually vanished, and the public is having a hard time believing Mr. Romney’s persona (as in dramatis personae) — a potentially fatal flaw for any actor, but especially for a presidential candidate. Why doesn’t Mr. Romney’s audience believe him?
Perhaps it starts with his laugh, a device he employs at odd moments and in a most peculiar way. (The public thinks that crying is the acid test of the actor, but in fact “laughing” is much harder — and Mr. Romney hasn’t mastered it.)
Listen to his laugh. It resembles the flat “Ha! Ha! Ha!” that appears in comic-strip dialogue balloons. But worse – far worse – it is mirthless. Mr. Romney expects us to be amused, although he himself is not amused. Freeze the frame, cover the bottom of his face with your hand, and study his eyes. There’s no pleasure there, no amusement. Genuine laughter is triggered only by, and is completely dependent on, shared perception. That’s why we say we “get” a joke.
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James Lipton: How to Act Human: Advice for Mitt Romney From Inside the Actors Studio (Original post)
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Response to cali (Original post)
Tue May 15, 2012, 11:45 PM
aint_no_life_nowhere (20,560 posts)
4. I noticed that some time ago too - Romney smiles only with his mouth
His eyes are either cold and dead-looking or sometimes even menacing or hateful. It's strange. Crazy people in the asylum can laugh without looking happy. Romney is almost there.