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Sat Sep 29, 2012, 09:55 AM

Operation Hollywood: Pentagon v Costner

Last edited Mon Oct 1, 2012, 11:14 AM - Edit history (2)

One reason I believe that Kevin Costner was so touched by that Emmy® last week could be the backlash his career has experienced from trying to set the historical record straight in his movies (ie., Jim Garrison and Curtis LeMay)...
Operation Hollywood
How the Pentagon bullies movie producers into showing the U.S. military in the best possible light.

—By Jeff Fleischer
| Mon Sep. 20, 2004 12:00 AM PDT

“The only thing Hollywood likes more than a good movie is a good deal,” David Robb explains, and that’s why the producers of films like “Top Gun,” “Stripes” and “The Great Santini” have altered their scripts to accommodate Pentagon requests. In exchange, they get inexpensive access to the military locations, vehicles, troops and gear they need to make their movies.

During his years as a journalist for Daily Variety and The Hollywood Reporter, Robb heard about a quid-pro-quo agreement between the Pentagon and Hollywood studios, and decided to investigate. He combed through thousands of Pentagon documents, and interviewed dozens of screenwriters, producers and military officials. The result is his new book, "Operation Hollywood." ...

...They also say it has to reasonably depict military operations. And if it’s based on history, they say it has to be historically accurate, which is really a code. They’re much less interested in reality and accuracy than they are in positive images. They often try to change historical facts that are negative. Like with the movie “Thirteen Days,” which was very accurate but very negative toward the military during the Cuban missile crisis, showing that they would have taken us down the path toward World War III. During the negotiations with the producers, Peter Almond and Kevin Costner, the military tried to get them to tone down the bellicose nature of Gen. Maxwell Taylor and Gen. Curtis LeMay -- who the record is very clear on, because before Nixon was taping in the White House, Kennedy was taping in the White House, and all the conversations from October 1962 are on tape. When Kennedy rejected LeMay’s insistence that we attack Cuba -- when Kennedy said let’s put up a naval blockade, we don’t want to get into war -- you can hear Curtis LeMay say, “This is the worst sellout since Munich.” He actually said that, when he didn’t think anybody was listening. Well, the military wanted to change it anyway, saying he was too bellicose and they had to tone it down. To their credit, Kevin Costner and Peter Almond stood up to the military, refused to buckle under, and made their film without military assistance...

http://www.motherjones.com/politics/2004/09/operation-hollywood

Perhaps not to the extent that these guys paid...
Gaeton Fonzi, like Jim Garrison, and Richard Sprague et al., did some excellent work on that case. In spite of some extraordinary lengths that some went to in an effort to derail their efforts. Fortunately these guys were able to emerge from this relatively unscathed. Others were not so lucky...

Abraham Bolden, Mort Sahl, John Barbour, and Roger Feinman were not so lucky. They were among those that lost careers for attempting to pursue the case...

http://www.democraticunderground.com/?com=view_post&forum=1002&pid=1274427

But a price nonetheless when you don't play ball with the ptb.

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